Curtis Clark to receive John A. Bonner Award at the Academy’s annual Scientific and Technical Awards presentation on Saturday, February 9.
Teenage rock band hopes song and film dealing with mental health issues and campus gun violence leads to conversation and healing.
First project produced as part of Guru’s new short film program is directed by Samuel W. Bradley with a score by composer Jim Guthrie.
Network to premiere director Yonatan Tal’s diva-inspired animated ‘Nightmare in the Morning.’
Center assisted painters by providing detailed reference, visual effects, compositing and editing for Oscars-nominated feature.
The veteran director and NFB filmmaker discusses story and design inspirations as well production and artistic challenges he faced during the making of his award-winning animated short film.
Qvisten Animation made extensive use of PipelineFX’s intelligent render farm manager and Microsoft Azure integration to complete their feature ‘Anchors Up’ on a tight timeline, relying on a shared disk image in the cloud and Qube!’s automatic resource allocation.
CG-animated short from the director of the 2014 Academy Award-winning animated short ‘Mr. Hublot’ is produced by Luxembourg-based Zeilt Productions for agency M&C Saatchi Sydney and Australian non-profit AIME.
Director Robert Valley teams with Passion Pictures to bring his gritty graphic novel to the screen, garnering an Oscar nod and Annie win along the way.
The acclaimed director’s Oscar-nominated short warns that humanity's constant fear of the future and obsession with the past imperils our ability to live in the present.
The director, along with art and animation director Liane-Cho Han, discuss the movie’s ten-year journey from one-page story idea to finished film.
Adobe showcases innovation coming to Creative Cloud in experience design, photography, virtual reality, character animation and 3D compositing.
Cartoonist, illustrator and animator Garry Pye demonstrates how he created his 3D comic character The Biker using Akvis Sketch, Adobe Photoshop, and Reallusion’s CrazyTalk 8, Character Creator and iClone 6.
VFX supervisor Alan Torres explains his studio’s work on key UI and HUD displays for Marvel’s latest action-adventure feature.
Colgate sophomore’s ongoing passion for Bag Raiders’ ‘Shooting Stars’ culminates in charming first film, an animated music video, and spot at Animation Day in Cannes.
TTF previs and postvis supervisors Gerardo Ramirez and Austin Bonang discuss key fight sequence visualization efforts on Marvel’s hit superhero feature.
MPC VFX supervisor describes the studio’s innovative efforts handling 1200 shots alongside Rob Legato on Disney and Jon Favreau’s blockbuster family adventure hit.
Working closely with production VFX supervisor John Dykstra, MPC completes more than 990 shots for 20th Century Fox’s ‘X-Men: Apocalypse,’ including the Cerebro Room, Archangel’s wings, Mystique’s body blades, Nightcrawler’s ‘Bamf,’ and the film’s epic final battle sequence.
‘Superjail!’ and ‘Ugly Americans’ veteran animation director launches Indiegogo campaign to complete his epic indie feature.
Producer Neil Holman and art director Chad Hurd detail the limited but highly stylized animation techniques they wield to devastatingly hilarious effect on their hit FX animated series.
Hollywood Noir meets Keystone Spymasters as the bumbling agency moves to Los Angeles, applying their questionable espionage skills to the private eye business.
Adobe Creative Resident Kelli Anderson uses a combination of After Effects, Photoshop and Illustrator to create a new stop-motion animated video for TMBG’s holiday cut, ‘Long White Beard.’
Award-winning studio continues its plain-body series of vintage Le Mans winners with stunning Jaguar D-Type images created using VRay, 3ds Max and Photoshop.
With the Adult Swim series finale set to air this week -- including a song from Rock legend Patti Smith -- creative studio Awesome Inc. reflects on the minimal animation and maximum fun of the beloved show.
Created over the course of seven months, dialog-free animated short pairs sound design and a distinctive visual look and adventurous color palette to help tell the story.
