The Emmy Award-winning EFX supervisor helped creator Ian McCulloch produce a series of gruesome human and animal bodies seemingly pulled apart in layers in the horror thriller series now streaming on Peacock.
The classic charm of ‘Wonder Pets’ is back with creator Jennifer Oxley’s new series, a fresh take that introduces a new team of animal heroes, navigating global adventures, who showcase the power of empathy and collaboration while teaching life lessons through mini-opera-inspired tales.
The latest NVIDIA RTX and GeForce RTX GPU accelerated technologies were revealed at the Adobe MAX creativity conference; the new NVIDIA Studio Driver is now available for download.
EP Lynne Southerland and art director Chrystin Garland discuss their push for authenticity in the all-new 3DCG preschool series about the young mermaid princess that incorporates the islands’ multi-cultural elements of music, food, fashion, language, and folklore; show debuts June 27 on Disney Junior.
Dan Guterman’s adult animated comedy series about a meek, introverted woman who prefers mundane daily rituals rather than hedonistic excess in the face of humanity’s impending extinction, employs a carefully crafted visual language, literally guided by the eyes are windows into the soul, to provide its emotion and laughs; now streaming on Netflix.
Trever Stewart is taking over the commercial division of the venerable Portland animation studio, and has moved its half-acre facility completely to the metaverse, and is letting festival attendees – with priority on portfolio reviews – don headsets and tour the 3D digital world and creative universe his prolific team now calls home.
Debjyoti Saha’s animation studio has grown from producing music videos for Indian rappers like Prabh Deep and DIVINE to bringing its animated anthology series about Indian food culture, ‘Table for One,’ to the upcoming Annecy 2024 MIFA.
The global visual effects studio partnered with Dharma Productions and DOP Manush Nandan to deliver over 1,300 shots, including set extensions, composites and motion graphics on numerous shots of phones, TVs, and iPad screens, and a CG car in a frantic chase sequence, on Director Karan Johar’s dramatic love story.
Along with U.S. rep Psyop, the London-based studio collaborated on the short that welcomes VIP players and hosts arriving at the MGM Grand in Las Vegas, ready for a supreme eSports event.
Mark Zamlinsky’s animated short, inspired by Stephen Vincent Benét’s poetry, about a North Georgian casino run by the devil, captures the ‘loneliness and ennui of being in a car, driving north on GA 400, escaping into fantasy.’
Powerful 2D and 3D images meld with musician adiiilya’s vocals to delve into themes of jealousy, obsession, and toxic masculinity while portraying the characters’ fragmented minds and distorted perceptions of reality.
Alec Green and Finbar Watson’s Oscar-qualified 2D short poignantly captures the true story of Don Ritchie, who over the course of almost 50 years approached hundreds of people contemplating suicide on a cliff just 50 feet from his Sydney home.
For studio founder William Gadea, what better way to promote Indiana 811’s need to dramatize the possible negative consequences of digging up your yard without first located any underground utility lines than with Holey Moley as a rockin’ and rollin’, jumpsuit-wearing mole sporting a giant hair wave and a crew of sequined squirrel back-up singers.
At Adobe MAX, the tech leader’s annual conference, big reveals showcased new generative AI models, 100+ Creative Cloud innovations, and Firefly customization for enterprises, all now available; Firefly generated images now top 3 billion with 1 billion generated in the last month.
8 projects across five categories are honored, demonstrating a wide array of styles, topics, and skill levels that show how the animation program supports streamlined creative diversity.
Watch as the Emmy-nominated docuseries returns for new season sporting new promo look, adorned with the team’s colors and fiery dragon, debuting across print, digital, and TV… and a new trailer.
Reallusion’s latest release automates 2D production with cursor-led movement, integrating an intuitive interface and seamless keyframe editing to generate animations in mere seconds.
Now deeply integrated into creative workflows across Adobe Creative Cloud, Adobe Express and Adobe Experience Cloud, Firefly’s foundational generative AI models can be used to create stunning content safe for commercial use.
Zez Vaz, founder of Toma Creators Studio, shares how to use the dynamic content pack ‘Make Me Actor’ and ‘Instructional Tools’ to transform objects and images into speaking actors for use in talk shows, e-learning animations, and teaching resources.
The Adult Swim veteran discusses his use of slightly weird, experimental comedy on five new 2D shorts that honor ‘Star Trek: The Animated Series’ 50th anniversary, kicking off this Friday with ‘Skin a Cat.’
Nathan Smith, Director of Studio Ghibletz, shares how to use the new vector character launcher to create props in Photoshop and Illustrator so you can then add GIF animations to your latest cartoon.
Animator Jop Govers breaks down his latest project, from sketching with an iPad and storyboarding with Photoshop to designing characters and animating with Cartoon Animator 5 and compositing with After Effects.
Innovative animation captures cultural engineer Craig Robin's vision of the MDD as a ‘laboratory for creativity’ with hand-drawn illustrations modeled after iconic neighborhood landmarks; a female avatar takes the viewers on a journey from the district’s past to its future.
Former visual effects student Noah Catan spent over a year working to improve upon the 2D ‘Klaus’ innovative 3D-styled lighting and shading in his development of Pantheon: Volumetric Lighting for 2D Animation software, created specifically for the production of SCAD Animation Studios’ CTA Emmy nominated animated short.
The tech companies will co-develop generative AI models with a focus on deep integration into Creative Cloud applications like Photoshop, Premiere Pro, and After Effects, as well as the NVIDIA Picasso cloud service, for content creators, designers, and marketers.
