VFX supervisor Jason Smith and his bevy of VFX studios, including ILM, DNEG, and Rodeo FX, delivered roughly 8,000 visual effects shots including Ents, a Balrog, Barrow-wights, Shelob, and the Elven forge, on the sophomore outing of Prime Video’s return to J.R.R. Tolkien’s Middle-earth.
From previs, techvis, and postvis to a 5,000-frame street fight ‘oner,’ 3rd act Time Ripper disintegration, and our villain’s hand rummaging around a person’s head – think pinkie out the nose – VFX supervisor Matt Twyford, senior visualisation supervisor Kaya Jabar, and their teams delivered some of the most impressive visual effects seen of late on Shawn Levy’s hilarious and bloody new Marvel blockbuster.
The visual effects studio goes massive – and monstrous - with ‘The Blob,’ a bulbous, pustulous creature that threatens the very existence of humanity, on the final season of Netflix’s hit action comedy about a dysfunctional family of former child superheroes who must reunite to save the world; all seasons are now streaming.
In Netflix’s dark comedy starring Jeff Goldblum as the mythical Greek god, Zeus, the studio’s team created numerous VFX sequences, including a CG Mount Olympus and dramatic thunderstorms orchestrated by the gods.
New proprietary GenAI integrated toolkit, developed on NVIDIA Omniverse, is designed for development, production, and post-production of new animated content as well as upgrading existing catalogs.
Studio’s VFX team delivered over 800 shots, including all space environments, on director Johan Renck’s sci-fi drama starring Adam Sandler and Carey Mulligan; film now streaming on Netflix.
Gareth Edwards’ innovative sci-fi drama set during a future global war between mankind and AI simulants takes home 5 awards, while the hit ‘Spider-Man: Into the Spider-Verse’ sequel takes home 4; HBO’s critically acclaimed, Emmy Award-winning game adaptation series also garners 4 awards.
VFX supervisor Sean Konrad helped deliver over 3,000 ‘giant’ shots on the highly acclaimed Apple TV+ series with the ‘monstrously’ talented artists on his in-house team and at Rising Sun Pictures, Rodeo FX, Framestore, FuseFX, Outpost VFX, Crafty Apes, Wētā FX, MPC, Storm Studios, Vitality VFX, BOT VFX, Mr. Wolf, Scarab Digital, The Third Floor, Proof, and MPC Visualization.
Gareth Edwards' sci-fi thriller tops all feature film contenders, while the 'Spider-Man: Into the Spider-Verse' sequel leads all animation contenders and 'The Last of Us' tops all TV contenders as nominees are announced in 25 categories across film, television, real-time, and special venue projects; ceremony set for February 21 at The Beverly Hilton Hotel in LA.
The 22nd annual awards ceremony recognizes and honors outstanding visual effects and the artists who created them; the event will be held February 21 in Beverly Hills.
Cinesite Immersive will focus on creative IP owners and brands; in new partnership with Frameless Creative, has collaborated on two art projects based on works by Rembrandt and Monet; watch the ‘Making Of’ featurette.
Users can now download and deploy a 30-day trial of the native OpenUSD software platform for connecting complex 3D pipelines and simulating large-scale physically accurate virtual worlds.
VFX Supervisor Dann Tarmy breaks down his team’s extensive use of water sims, including how they tackled the huge, new challenge of replacing water in plates where the actor was shot in the water, on Netflix’s biographical sports drama of marathon swimmer Diana Nyad’s attempts to swim from Cuba to Florida.
Studio delivered 126 VFX shots to help realize Ridley Scott’s vision of Napoleon’s 1793 Siege of Toulon and his violent suppression of the Paris riots two years later.
VFX Producer Brian Shows and Post Producer David Frew helped Framestore, MPC, Outpost VFX and beloFX deliver 2,600 visual effects shots across 8 episodes of the Prime Video show, conjuring up a host of magical visuals depicting different aspects – earth, water, fire, air, and spirit - of the One Power.
Experts at the tech giant gaze into a collective 2024 crystal ball, anticipating AI’s impact across industries and the world; expect the ‘Democratization of Development’ allowing anyone, anywhere to become a developer.
‘Moirai - Thread of Life’ takes Best in Show with Jury's Special Award going to ‘Hair Universe;’ winners among 38 films selected to screen at this year’s Electronic and Animation Theaters.
Numerous improvements revealed for ZBrush 2024 and Cineware’s import of Cinema 4D files into Unreal Engine; a new batch of Capsules give artists an even wider assortment of resources.
Product suite additions enable powerful collaborative workflows; editor uses 3D techniques to create and modify simulation-ready digital twins while cloud-based tool supports large scale high-fidelity simulations anywhere - directly from a web browser.
Studio oversees conceptualization, asset creation, technical animation, and FX in collaboration with Psyop, Respawn Entertainment and Electronic Arts; the 4+ minute short scores 5M+ views since its release.
Machines featuring NVIDIA RTX Ada Generation GPUs and AMD Ryzen Threadripper PRO Processors will be available next month for preorder from Dell, HP, and BOXX; new trained AI models offer accelerated 3D rendering, simulations, and content creation.
The visual effects studios recreated 1960s New York City, complete with city street and subway chases – and digital horse - and an ancient undersea trireme shipwreck dive that included digital doubles, digital creatures, and dry-for-wet effects, respectively, on James Mangold and Lucasfilm’s final ‘Indiana Jones’ cinematic franchise adventure.
The committee has revised Rules and Procedures in some categories and announced name changes in others; submissions close on November 30; timing of the 22nd Annual VES Awards Presentation is TBD.
Desktops from BOXX, Dell, HP, and Lenovo feature NVIDIA RTX 6000 Ada GPUs and incorporate NVIDIA AI Enterprise and NVIDIA Omniverse Enterprise software; 3 new desktop workstation Ada Generation GPUs - NVIDIA RTX 5000, RTX 4500, and RTX 4000 - also announced.
New Unreal Engine 5 plugin leverages existing render setups and scalability so cloud-based resources can accelerate final-pixel outputs; also updates DCC apps, including Adobe After Effects 2023, Autodesk Maya 2024, Autodesk 3ds Max 2024, Autodesk VRED 2023 and Maxon Cinema 4D 2023.
