How Advances in VFX Transform the Potential for Storytelling
Ever seen a “ghoulie” killed by a chainsaw through the chest? If you’ve seen the Netflix series ‘Daybreak’ you have, and I thank you for watching.
Ever seen a “ghoulie” killed by a chainsaw through the chest? If you’ve seen the Netflix series ‘Daybreak’ you have, and I thank you for watching.
VFX supervisor Matthew Welford and his Vancouver team create realistic rock wall avalanche for inaugural episode of Jason Momoa’s new series.
Jon Favreau’s highly anticipated Disney+ ‘Star Wars’ series features a mysterious infant fans have dubbed ‘Baby Yoda,’ and it’s the cutest thing since Ewoks.
Emmy-winning ‘Rick and Morty’ scribe Jessica Gao has signed on as writer and developer for Marvel TV’s ‘She-Hulk,’ reportedly set to stream in 2020.
The highly anticipated ‘Game of Thrones’ prequel ‘Bloodmoon’ has been replaced with ‘House of the Dragon,’ chronicling the rise and fall of House Targaryen.
With Jon Favreau at the helm, the first ever ‘Star Wars’ live-action series, about a deadly gunfighter in the galaxy’s outer reaches, launches November 12 on the new Disney+ streaming service.
Unnamed Game of Thrones prequel in development at HBO to feature the fiery reign of the Targaryen’s and their faithful dragon companions.
The newest addition to VFX house Monsters Aliens Robots Zombies brings decades of film and TV experience on shows like ‘Hellboy’ and ‘Grimm.’
Submission forms now available for entering VFX projects in Film, Television, Special Venue, Games, Animation, VR and New Media created between January 1 and December 31, 2019.
Starting with upcoming 18th annual awards, Society will recognize special (practical) effects in photoreal projects and allow more category eligibility for animation projects.
Legendary Academy, DGA and Emmy Award-winning filmmaker to be recognized for his valuable contributions to filmed entertainment at the upcoming January 29 VES Awards.
This year’s class, honored for their exceptional achievements and sustained contributions to the industry, will be recognized at a special reception on October 2.
Studio delivers 60 minutes of spectacular visual effects, including epic battles, destruction and Clegane brothers fight on final three episodes of HBO’s hit fantasy adventure series, ‘Game of Thrones.’
Led by Emmy-nominated VFX supervisor Mahmoud Rahnama, the studio’s visual effects work spanned 1,100 shots done in just 11 months across four different facilities.
Splashy presentations of new series set within Star Wars, Marvel and Pixar franchise worlds teases both fans and industry with previously unannounced details about the studio’s aggressive new streaming platform programming plans.
Studio’s flagship Los Angeles office has a number of job openings and is currently looking for talent to work on a high-profile episodic TV show and other projects.
Three reels, including an interview with Emmy nominee, VFX supervisor Nhat Phong Tran, showcase the studio’s superb previsualization and visual effects work on Seth McFarlane’s hit sci-fi action-comedy series.
This year’s selection of notable VFX professionals and industry luminaries to be recognized at a special VES October reception.
Company brought on as sole Season 3 visual effects facility for Billy Bob Thornton-led streaming series.
The Visual Effects Society releases work project submissions guidelines for upcoming Awards consideration, including information on a new category, qualification changes and deadlines.
Animation supervisor David Clayton shares how his team brought down the fire-breathing Rhaegal with a giant bolt, and Crum the giant wight with a small knife, in HBO’s hit action-adventure series.
Image Engine lead animator details her work creating Drogon the dragon in the hit HBO series’ Season 7 Episode 4 battle where the Lannister army is incinerated as it tries to flee.
Boutique visual effects studio produces photoreal dystopian world where the U.S. is split between Japanese and Nazi control in Amazon Studio’s original series based on Philip K. Dick’s 1962 novel.
VFX supervisor Chris White shares how New Zealand’s visual effects masters leveraged a decade of ‘Planet of the Apes’ digital character excellence for Netflix’s dysfunctional superhero family adventure series.
First-look deal with iconic comic and graphic novel publisher will provide IP development opportunities for both film and TV projects.