Splashy presentations of new series set within Star Wars, Marvel and Pixar franchise worlds teases both fans and industry with previously unannounced details about the studio’s aggressive new streaming platform programming plans.
Studio’s flagship Los Angeles office has a number of job openings and is currently looking for talent to work on a high-profile episodic TV show and other projects.
Three reels, including an interview with Emmy nominee, VFX supervisor Nhat Phong Tran, showcase the studio’s superb previsualization and visual effects work on Seth McFarlane’s hit sci-fi action-comedy series.
This year’s selection of notable VFX professionals and industry luminaries to be recognized at a special VES October reception.
Company brought on as sole Season 3 visual effects facility for Billy Bob Thornton-led streaming series.
The Visual Effects Society releases work project submissions guidelines for upcoming Awards consideration, including information on a new category, qualification changes and deadlines.
Animation supervisor David Clayton shares how his team brought down the fire-breathing Rhaegal with a giant bolt, and Crum the giant wight with a small knife, in HBO’s hit action-adventure series.
Image Engine lead animator details her work creating Drogon the dragon in the hit HBO series’ Season 7 Episode 4 battle where the Lannister army is incinerated as it tries to flee.
Boutique visual effects studio produces photoreal dystopian world where the U.S. is split between Japanese and Nazi control in Amazon Studio’s original series based on Philip K. Dick’s 1962 novel.
VFX supervisor Chris White shares how New Zealand’s visual effects masters leveraged a decade of ‘Planet of the Apes’ digital character excellence for Netflix’s dysfunctional superhero family adventure series.
First-look deal with iconic comic and graphic novel publisher will provide IP development opportunities for both film and TV projects.
Founder Thilo Kuther to continue as president of global VFX company.
A diverse group of nine female creative professionals working at Pixomondo share their career histories, motivations and insights from navigating a male-led industry.
Mike Chambers returns as Board Chair; Brooke Lyndon-Stanford is first elected officer from outside North America.
Veteran artist previously earned VES Award and Primetime Emmy nominations for work on Netflix series ‘Lost in Space.’
Studio launches division to provide visual effects and animation services for TV and streaming content producers.
Veteran visual effects supervisor, who worked on ‘Avatar’ and ‘Avengers: Infinity War,’ will oversee team at studio’s Bournemouth facility.
Studio behind ‘Stranger Things’ Upside Down visual effects creates live-action proof of concept inspired by ‘Black Hawk Down’ and the Cloverfield franchise.
