WATCH: Digital Domain’s ‘Lost in Space: Season 2’ VFX Breakdown Reel
Led by VFX supervisor Aladino Debert, the Oscar-winning studio delivered around 160 shots for the second season of Netflix’s popular reimagined sci-fi adventure series.
Led by VFX supervisor Aladino Debert, the Oscar-winning studio delivered around 160 shots for the second season of Netflix’s popular reimagined sci-fi adventure series.
130 artists now working at the company’s ninth location, bringing their employee total to over 1,500 worldwide.
Bristol-based studio continues its work as the ‘go-to’ natural history visual effects provider on streaming giant’s new documentary series showcasing the wonders of our nocturnal world.
Led by VFX supervisor Max Riess, teams from Frankfurt, Stuttgart, Toronto and Los Angeles delivered more than 268 final shots over a 22-month period.
UK animation and VFX house names longtime industry producer to manage inhouse team; studio affirms plan to add 50 jobs in Westby and Manchester.
Led by overall VFX supervisor Michael Shelton, teams at the studio’s Los Angeles and Toronto facilities handled 546 shots over a 4-month period.
Despite critical backlash and low ratings, Jodie Whittaker will return as the Thirteenth Doctor for Season 13 of the BBC’s cult Sci-Fi classic, Doctor Who.
Following rumors of troubles in development, pre-production on Disney+ Obi-Wan Kenobi miniseries is put on hold.
The company’s London studio creates a nasty arachnoid, Golden Dragon, zombie-like Striga and wicked battle scenes for the hit Netflix fantasy series starring Henry Cavill as Geralt of Rivia.
VES Award nominee Matt Welford describes ‘supporting visual effects,’ including previs and techvis, on the inaugural episode of the ‘Aquaman’ star’s hit post-apocalyptic action-adventure series.
Ever seen a “ghoulie” killed by a chainsaw through the chest? If you’ve seen the Netflix series ‘Daybreak’ you have, and I thank you for watching.
VFX supervisor Matthew Welford and his Vancouver team create realistic rock wall avalanche for inaugural episode of Jason Momoa’s new series.
Jon Favreau’s highly anticipated Disney+ ‘Star Wars’ series features a mysterious infant fans have dubbed ‘Baby Yoda,’ and it’s the cutest thing since Ewoks.
Emmy-winning ‘Rick and Morty’ scribe Jessica Gao has signed on as writer and developer for Marvel TV’s ‘She-Hulk,’ reportedly set to stream in 2020.
The highly anticipated ‘Game of Thrones’ prequel ‘Bloodmoon’ has been replaced with ‘House of the Dragon,’ chronicling the rise and fall of House Targaryen.
With Jon Favreau at the helm, the first ever ‘Star Wars’ live-action series, about a deadly gunfighter in the galaxy’s outer reaches, launches November 12 on the new Disney+ streaming service.
Unnamed Game of Thrones prequel in development at HBO to feature the fiery reign of the Targaryen’s and their faithful dragon companions.
The newest addition to VFX house Monsters Aliens Robots Zombies brings decades of film and TV experience on shows like ‘Hellboy’ and ‘Grimm.’
Submission forms now available for entering VFX projects in Film, Television, Special Venue, Games, Animation, VR and New Media created between January 1 and December 31, 2019.
Starting with upcoming 18th annual awards, Society will recognize special (practical) effects in photoreal projects and allow more category eligibility for animation projects.
Legendary Academy, DGA and Emmy Award-winning filmmaker to be recognized for his valuable contributions to filmed entertainment at the upcoming January 29 VES Awards.
This year’s class, honored for their exceptional achievements and sustained contributions to the industry, will be recognized at a special reception on October 2.
Studio delivers 60 minutes of spectacular visual effects, including epic battles, destruction and Clegane brothers fight on final three episodes of HBO’s hit fantasy adventure series, ‘Game of Thrones.’