The Digital Eye: xRez Studio Explores Gigapixel Imagery
In this month's edition of "The Digital Eye," digital artist Eric Hanson explains how his new xRez Studio is raising the industry bar for panoramic gigapixel photography.
In this month's edition of "The Digital Eye," digital artist Eric Hanson explains how his new xRez Studio is raising the industry bar for panoramic gigapixel photography.
MPC had numerous challenges to contend with on the more action-oriented Elizabeth: The Golden Age, and Alain Bielik reports on the results.
Ryan Lesser tests 3ds Max 2008 and finds great productivity improvements, particularly for those specializing in architectural design, previs and lighting/composition.
Fred Galpern tests Maya 2008 and discovers a significant change to Autodesk's approach to Maya development well worth the investment.
Bruce Shutan reports on how Beatles musical, Across the Universe, proved a psychedelic challenge for vfx artist Peter Crosman.
Dan Sarto reports back from eDIT 10: The Filmmaker's Festival in Frankfurt, where, despite the digital evolution, it still begins with story and character.
Janet Hetherington reports on Montreals conference on digital arts, including a chat with keynote speaker Phil Tippett, and discovers that smart trumps trendy in the world of vfx.
Alain Bielik explores the vfx wizardry that went into the latest children's magical adventure, The Seeker: Dark is Rising.
In the latest excerpt of Poser 7 Revealed, Kelly L. Murdock explores how to set and calculate cloth simulations.
Bill Desowitz gets an early peek at the new previsualization techniques developed by production designer Alex McDowell for DreamWorks' upcoming Bee Movie.
Bruce Shutan reports on how Beatles musical, Across the Universe, proved a psychedelic challenge for vfx artist Peter Crosman.
Previs continues to evolve as a 3D problem-solving tool, and Thomas J. McLean discovers some of the latest examples.
In the latest excerpt of Poser 7 Revealed, Kelly L. Murdock shows how to load and save expressions in the Library.
In this month's edition of "The Digital Eye," Previs Supervisor Rpin Suwannath provides an exclusive sneak peek of The Chronicles of Narnia: Prince Caspian.
Taylor Jessen reviews five short films -- Carnival of Animals by Michaela Pavlatova, Battle of the Album Covers by Rohitash Rao, guy101 by Ian W. Gouldstone, Look for Me by Laura Heit and My Love by Alexander Petrov.
Craig J. Clark talks with Michael Davis on how he turned his Shoot 'Em Up script into a directing gig with animatics.
In the latest excerpt of Poser 7 Revealed, Kelly L. Murdock shows how to load and save expressions in the Library.
Greg Singer muses on the contribution of the animation community in promoting themes of peace and cooperation, as exemplified in films such as Azur and Asmar, The Iron Giant and the Hiroshima International Animation Festival.
J. Paul Peszko looks into how hybrid workflows are opening up new doors to filmmakers and expanding their creative control.
Jennifer Champagne snatches a peek behind-the-scenes of The Invasion, chatting with the vfx wizards that re-imagined this classic tale with modern visual effects.
In the latest excerpt of Poser 7 Revealed, Kelly L. Murdock teaches Poser users how to create a face using photographs.
Bill Desowitz offers some highlights from last week's SIGGRAPH 2007 in San Diego, and chats with three leading figures: Doug Chiang, Joe Letteri and Kim Libreri.
Laurent Alquier took in all the wonders of SIGGRAPH 2007's Electronic Theater and Computer Animation Festival, finding a wide spectrum to the reality of CG.