Students in USC's new graduate class in performance capture, co-instructed by Robert Zemeckis, learn the importance of facial animation to coax out strong character performances. Karen Raugust reports.
Troublemaker Digital and The Orphanage tell Alain Bielik how they made Grindhouse rock with creative vfx for Robert Rodriguez and Quentin Tarantino.
In this month's edition of "The Digital Eye," Peter Plantec gives a preview of fmx and lays out whether Europe's top animation and vfx conference is worth the trip.
Tara DiLullo Bennett asks Zoic Studios' to pop the hood on their production of FOX's new series, Drive, to find out what powers this visual effects filled new series.
After chatting to the visual effects artisits, Tara DiLullo Bennett draws us a map to how Zoic BC. tackled the vfx work of the Viking epic, Pathfinder.
Get a preview of all the fmx/07 recruiting activities from AWN's "Career Coach, "Pamela Kleibrink Thompson.
For our next excerpt from Kelly L. Murdock's Poser 7 Revealed, the section lays out the use of the program's basic editing tools.
Troublemaker Digital and The Orphanage tell Alain Bielik how they made Grindhouse rock with creative vfx for Robert Rodriguez and Quentin Tarantino.
Thomas J. McLean discovers how The Reaping offered Double Negative the opportunity to recreate two of the biblical plagues in present day: the locust swarm and the river of blood.
Greenscreens and editing tricks didn't cut it for Blades of Glory, so Thomas J. McLean finds out how Rainmaker's new facial performance capture took the gold for this ice skating comedy.
Learn how to set figure properties, height and style in the latest excerpt of Poser 7 Revealed by Kelly L. Murdock.
Karen Raugust explores a growing trend in architecture: sustainable design, which relies on 3D visualization to prevent waste and minimize short- and long-term ecological impacts.
J. Paul Peszko catches up with Palumbo and Honda to discuss two instances of cutting edge 3D design work.
Tara DiLullo Bennett reports on several case studies and initiatives in uncovering Autodesk's global investment in the education market.
Alain Bielik uncovers the secrets behind the ethereal yet photographic effects in The Last Mimzy, a task shared by 10 vendors.
Janet Hetherington talks to the innovators of the digital breast tomosynthesis (DBT), a futuristic mammogram procedure that may soon become the norm.
This month for "The Digital Eye," Autodesk's Chris Ruffo describes how 3D tools are being used by architects and engineers for digital visualization, enabling clients to "experience before they build."
Fred Galpern opens up a copy of Painter X and tells us if its matured into production environment worthiness or its just like working with chalk and safety scissors.
Learn all about navigating through the other Library categories besides figures in the latest excerpt of Poser 7 Revealed: The e frontier Official Guide by Kelly L. Murdock.
Tara DiLullo Bennett goes behind the scenes of the CG-intensive 300 with director Zack Snyder, vfx supervisor Chris Watts and others to find out how they pulled off the painterly Frank Miller look. Includes QuickTime clip!
Ellen Wolff uncovers the beautiful yet chilling 3D effects created by Intelligent Creatures for The Number 23.
Learn how to configure the interface and change preference settings in this first excerpt from Poser 7 Revealed: The e frontier Official Guide by Kelly L. Murdock.
Alain Bielik uncovers the role of CG in meticulously recreating the infamous serial murders and period look of San Francisco in David Finchers Zodiac. Includes QuickTime movie clips!
J Paul Peszko looks at four leaders in sports motion graphics to find out how they're staying on top of their game.
Steven J. Gottlieb provides an exclusive look at Motion Theory's vfx work for Modest Mouse's brand-new music video, Dashboard.
