'The Fountain': VFX in a Petri Dish
Bill Desowitz gets closer to The Fountain with director Darren Aronofsky, vfx supervisor/designer Jeremy Dawson and Intelligent Creature's vfx supervisor Raymond Gieringer. Includes Quicktime clips!
Bill Desowitz gets closer to The Fountain with director Darren Aronofsky, vfx supervisor/designer Jeremy Dawson and Intelligent Creature's vfx supervisor Raymond Gieringer. Includes Quicktime clips!
Dale Hendrickson, who worked on the original She-Ra and He-Man series, chats with veteran producer Lou Scheimer about his work on the two series, as well as his overall career in animation.
Brad Blackbourn of DreamWorks Animation and Frank Passingham of Aardman Features describe how they met the challenges of layout/cinematography in marrying their two worlds on Flushed Away.
In the latest excerpt from the book The Magic of Houdini, Will Cunningham explains Point and Primitive SOPs.
Adrian Pennington explores the challenges and possibilities in developing more photoreal games in the U.K. with the new HD platforms.
Tackling games in this month's "Digital Eye," game designer James Everett gives us his thoughts on the dangerous business of videogame innovation.
With visual effects work needed on a global scale, J. Paul Peszko investigates the rise in VFX throughout the Middle East.
In the latest excerpt from the book The Magic of Houdini, Will Cunningham discusses a few more complicated SOPs.
Brad Blackbourn of DreamWorks Animation and Frank Passingham of Aardman Features describe how they met the challenges of layout/cinematography in marrying their two worlds on Flushed Away.
Alain Bielik uncovers some of Santas vfx secrets from Furious FX and Tippett Studio in his coverage of The Santa Clause 3: The Escape Clause.
Known mostly for its CG entertainment work, Indias emerging animation industry is increasingly adding vfx projects to its portfolio. Karen Raugust reports. Includes QuickTime clips of vfx showreels from Prasad EFX, Paprikaas Animation Studios and Rayudu Vision Media Ltd.!
With visual effects work needed on a global scale, J. Paul Peszko investigates the rise in VFX throughout the Middle East.
Ellen Wolff reports on Digital Domain’s extensive photoreal CG efforts in recreating the horrific Battle of Iwo Jima in Clint Eastwood’s Flags of Our Fathers.
Alain Bielik climbs the Tower of Babel in search of VFX treasure. Includes QuickTime clip showing Intelligent Creatures CG Tokyo!
Alain Bielik takes on the mission of uncovering the secrets behind the visual effects of Stormbreaker. Includes QuickTime clip of Baseblacks vfx work in the films climactic rooftop sequence!
In this months Digital Eye, Scott Dougherty, the co-founder/head of production at Furious FX, discusses the rise and resilience of smaller facilities in the visual effects community.
Peter Plantec conducts an extensive survey of the vfx work being down in Central and Eastern Europe, discovering that the digital world is truly global. Includes QuickTime clip of OREO and fx3xs vfx showreels!
In this months Career Coach, Pamela Kleibrink Thompson makes an impression on the reader about business cards.
Renee Dunlop boldly goes where no journalist has gone before in reporting on the re-mastering of the original Star Trek series with subtle 3D enhancements.
Adrian Pennington explores the current explosion of 3D character animation as a result of the Harry Potter franchise among the four top London-based vfx studios.
Alain Bielik takes on the mission of uncovering the secrets behind the visual effects of Stormbreaker. Includes QuickTime clip of Baseblacks vfx work in the films climactic rooftop sequence!
Fred Galpern cracks open copies of Ballistic Publishing's latest releases, Expos4 and d'artiste: Concept Art, to find out if the artwork inside is worth the cover price or better left on the shelf.
In the latest excerpt from the book The Magic of Houdini, Will Cunningham welcomes all users to Copy SOP.
In the eighth Open Season production diary, Sony Pictures Animation discusses the new tools they devised for water, hair and cloth.
Karen Raugust investigates how the vfx work featured in new and returning series this fall focuses on realism and subtlety.