Artists can bypass game engines and use their normal pipeline to put ray-traced 3D content on LED walls; NVIDIA DLSS 4 support enhances photorealism.
Lists of participating speakers and companies have also been published; presentation categories include VFX for Features, Feature Animation, Sound Design, Managing Change, and News.
The International Festival of Animated Films runs May 6-11 in Liberec, Czech Republic.
Now in closed beta with a planned mid-2025 release, the AI-native system, Intangible Studio, employs a Canva-like user experience to bring simplicity to 3D for teams in film, games, agencies and events.
New platform utilizes company’s proprietary Blaze! AI studio to automate background rendering, scene composition, coloring, and quality control to allow artists to focus on storytelling and character development rather than production.
The independent creative production studio’s new digital set is now part of its pipeline to build immersive video experiences leveraging virtual production, AI, and agile workflows.
By integrating the Wonder Studio cloud-based 3D animation and VFX technology into its production pipeline, the creative studio took advantage of new AI and machine-learning-based tools to create 134 creature shots in 6 weeks for the CW’s ‘Superman & Lois.’
The 4-day event returns to Stuttgart, kicking off May 6; on-demand presentations are available May 10 – June 10.
The newest group members bring with them ‘the artistic talent and the technical know-how that will help strengthen open source development in the motion picture industry.’
Merger with the leading AI VFX tool company used in Robert Zemeckis’ ‘Here’ to de-age stars Tom Hanks and Robin Wright, coupled with United Al Sager Group’s second investment in the DNEG Group, leaves Brahma with post-transaction value of US$1.43 billion.
The adaptation will focus on French author Antoine de Saint-Exupéry’s life from 1940-1944 and blend 2D ‘expressive’ watercolor styles with 3D ‘realistic’ oil painting aesthetics.
Company unveils new Adobe Premiere Pro, After Effects and Frame.io innovations to streamline post-production and save time; the Film & TV Fund has been expanded with $5M to accelerate career growth for underrepresented creators.
From depicting dinosaurs and the Ice Age to a massive tidal wave and idyllic neighborhood, the leading VFX and animation company helped create and then seamlessly move between scenes, shot from a stationary camera, spanning millions of years, in Robert Zemeckis’ latest film.
With a voter turnout even greater than the last cycle’s turnout, a supermajority of IATSE Local 839 members voted to ratify the 2024-2027 Animation Guild Master Agreement.
At this year's Autodesk Univerisity, with the help of Mikros Animation, Digital Fish, and Wonder Studio, the tech giant demonstrated a slew of program feature updates and improvements across its product lineup, all designed to increase creative productivity and lower barriers for great storytelling.
A gentle reminder to my animation colleagues.
For Rob Hoffman, Lenovo’s Senior Worldwide Manager for Media & Entertainment Vertical, insatiable consumer appetite for new experiences across film, TV, games and interactive experiences, in greater quantity with increasing fidelity, means, the future of entertainment content development continues to look strong.
The guild’s executive board reacts to what it notes are ‘a small minority’ getting ‘an outsized voice’ regarding the tentative AMPTP agreement, saying it has voted unanimously to recommend ratification.
Several members of the negotiating committee have expressed discontent on social media over the guild’s new AMPTP tentative agreement, citing a lack of protections for artists against generative AI and staffing minimums.
Members have expressed discontent over the agreement negotiated by the guild (TAG 839), citing a lack of protections for artists against generative AI and staffing minimums.
The background segmentation tool allows broadcasters to integrate real-time 2D and 3D graphics into live productions without greenscreens, manual rotoscoping, or match moving.
Releasing today on Digital and January 21 on Blu-ray and DVD, the film reunites the ‘Forrest Gump’ director, writer, and stars Tom Hanks and Robin Wright, who through AI-enabled VFX tools from Metaphysic, travel through several generations of family love, laughter and loss.
The new Spanish language adaptation of Lee’s holiday hit ‘Rockin’ Around the Christmas Tree’ was created with the singer’s full authorization via ‘responsibly sourced’ AI.
After 3 months of bargaining, the guild (TAG 839) has negotiated a new deal centered on fair wages, job security, and guardrails around Generative AI use.
The AI-powered visual effects studio built neural network models to portray actors Tom Hanks, Robin Wright, Paul Bettany and Kelly Riley through time at different ages.
