Unreal Engine 5.5 Now Available
Latest update features major enhancements to animation authoring, rendering, virtual production, mobile game development, and developer iteration toolsets.
Latest update features major enhancements to animation authoring, rendering, virtual production, mobile game development, and developer iteration toolsets.
VFX supervisors Jabbar Raisani and Marion Spates, working with Company 3’s Siggy Ferstl, developed an innovative workflow where many shots normally sent to a visual effects studio were handled by the colorist, making use of the extensive toolset within Blackmagic Design DaVinci Resolve.
The Colorado studio’s new state-of-the-art facility expands its post capabilities while boasting a Dolby Atmos theater for sound mixing, color grading and QC screenings.
The creative studio once again partnered with Mercedes-Benz, providing live-action production, editorial, post, VFX, color grading and finishing, transforming a daytime shoot on the California coast into night scenes.
Carl Flygare, NVIDIA Professional Visualization Marketing Manager at PNY, talks about virtual production, changes in the M&E landscape, and the many virtues of the NVIDIA RTX™ A5000 professional graphics card, which is available at a special promotional price for a limited time.
PNY, one of NVIDIA’s leading professional visualization partners, has announced special limited-time pricing for the versatile, advanced, and high-performance NVIDIA RTX™ A5000 professional graphics card.
For Company 3 senior colorist Jason Hanel, though most visual decisions have already been reflected in the film’s rendered and re-rendered final imagery, in post, he still provides a tremendous amount of scene by scene fine-tuning to get the film’s look just right.
The Sunset and Seward post-production facilities location offers 115,000 square feet across 6 floors that include 5 D.I. theaters, 13 color bays, and 22 online edit rooms.
The leading VFX and animation studio’s deal with parent company Prime Focus Limited for India-based integrated film and TV studio assets includes PF Studios, Digital Intermediate, Equipment Rental Services (EQR), and PFL’s Advertising post-production business.
Tech giant offering 2-days of online sessions with presentations by WB Games Avalanche, Playground Games, Crafty Apes, IGNITE Animation Studios, Crater Studio, and Megalis VFX; registration is free and required to attend.
Post-production studio bolsters team with former Droga 5 senior producer Josh Sanders, with Carla Thomas coming on board as producer.
New version delivers scalable, collaborative, and efficient artist workflows enabled to run on Amazon Web Services; other mods include enhanced HDR user interface and improved animation editor.
Challenged with recreating authentic visuals depicting the 1952 Helsinki Olympic Games, the studio transformed sports stadiums, filling them with virtual crowds.
The creative studio delivers ‘Crashtag,’ the world's first robot influencer, using a variety of 3D tools to design and build the futuristic sci-fi world of director Kim Chapiron’s new short film.
Best known for its sound services, the post-production company adds VFX, animation, motion graphics, and deliverables.
Available now, the new version streamlines color grading through FX and editorial with machine learning features, more tightly integrated toolset, and enhanced support for remote review sessions.
Full service creative shop’s innovative workflow helps deliver time and money-saving VFX, color, and editorial on projects like ‘Sixth of June’ and ‘Love 40.’
DoorDash’s first SuperBowl campaign featured rapper Daveed Diggs and the Sesame Street Muppets; creative studio incorporated elements including a CG train and added a bit of animation magic to make Grover fly.
Upgrade to company’s flagship video/audio editing, color grading and FX platform include AI-driven effects, GPU accelerated workflows, advanced motion tracking and other major enhancements.
Produced in France during the lockdown, Stéphane Berla’s funny animated short shows how nothing can stop a horde of frenzied shoppers, or post-apocalyptic raiders, in their quest for vital supplies.
New release expands A.I. capabilities, simplifies finishing for streaming services and accelerates creative workflows while adding Dolby Vision HDR authoring and display.
Three veteran creatives join West Coast office of post-production company specializing in VFX, animation and coloring.
Colorist Mitch Paulson creates custom looks for his second collaboration with director Ava DuVernay.
Hand-in-hand with filmmakers, FotoKem’s creative and technical teams supported global production on a massive scale.