AU 2024 runs October 15-17 in San Diego and invites artists and creative professionals to learn about emerging technologies, innovative techniques, and hear from leading industry experts both in-person and online.
My ‘interview with the vampire’ on the uncertainty and upheaval in Hollywood.
The customizable and scalable cloud-based system boasts built-in customization tools and popular DCC integrations, offering accelerated production timelines without capacity limitations and no upfront costs.
A conversation with Asian Virtual Human Association director Christopher Chen.
Running November 13-15, the M&E-focused virtual event invites artists and creative professionals to learn about emerging technology, master cutting-edge techniques, and participate in live portfolio reviews – free!
Kevin Geiger discusses disruption and opportunity.
Two years after it was first announced, the U.K.’s Competition and Markets Authority (CMA) finally approves the nearly $70 billion acquisition, the largest ever in the gaming industry.
The U.K. authority acknowledged that the restructured deal ‘makes important changes that substantially address concerns,’ in a statement last Friday, and will announce a final decision by October 6.
After reportedly laying off 7.5% of its London HQ workforce in July, the prolific VFX firm has given its more than 10,000 employees the option of taking a pay cut up to 25%, join a salary loan payback program, or risk termination.
The conference heads to the New Orleans Convention Center October 3-5, this year featuring over 150 sessions, hands-on training, and networking opportunities.
Streamers will soon redirect their AI algorithms from content curation to content creation.
As AI tools democratize content development and production, traditional distribution and marketing channels may ironically be more influential than ever.
Epic Games brings the event way down South to help Unreal Engine users from Australia, New Zealand, and Southeast Asia broaden their skills and build community.
Tasked with creating full CG environments, simulated explosions, energy effects, laser beams, armored ants, and other digital assets, over 1,000 studio artists delivered more than 800 shots on the Marvel’s first MCU Phase 5 installment.
ChatGPT will be for creators what plastic surgery is for actors: everyone will use it, but few will admit it.
The MCU Phase 5 kicks off this February with the third installment of the ‘Ant-Man’ franchise; Paul Rudd and Evangeline Lilly reprise their titular roles.
The company will pursue a multi-year effort to expand USD’s capabilities beyond VFX, working with its inventor, Pixar, along with Adobe, Autodesk, and Siemens.
New version streamlines story and editorial workflows with faster file transfer and uploads, UI improvements, and greater integration with Storyboard Pro.
New cloud solutions provider, backed by $200M+ investment led by PSG, opens for business after snapping up ftrack, iconik, Celtx, Wildmoka, and Zype.
China’s changing media environment and the pivot of attention to Southeast Asia.
Bringing extensive entertainment, gaming and publishing experience, the Mutiny Pictures co-founder will oversee business development out of company's San Francisco office.
Joce Capper will oversee London studio, working in tandem with her Montreal colleagues; Rebecca Manning joins visual effects team following tenure at FuseFX as digital effects supervisor & head of 2D.
With a new name and a new mission, the service provider in sensing, capturing, and analyzing motion data seeks to bringing meaning to movement and to accelerate innovation in entertainment, sports, health, and industrial market.
Series of interconnected co-located facilities will provide one-stop shopping for technology, talent and creativity servicing the entertainment, advertising, and brand experience industries; campuses coming soon to Soho, London, Soho, New York and Culver City, Los Angeles.
