Rosana Sullivan and Kathryn Hendrickson’s heartwarming short, about an unlikely connection between a stray kitten and pit bull, deftly illustrates the inherent beauty and power of 2D animated storytelling.
For VFX supervisor Louis Morin, Tom Harper’s wild ride through the skies of 1862 London was a journey filled with live-action shoots, stunts, digital doubles and one super-cold sound stage.
French multi-national, owner of leading VFX and creative studios MPC, The Mill, Mr. X and Mikros, is indicted after seven-year investigation by French authorities.
Regina Pessoa talks about her moving short film, which won the Jury Award at Annecy and just received an Annie Award nomination.
VFX and post-production veteran will bring his feature film experience to the episodic space.
The award-winning filmmaker shares the story behind her latest film, a mixed media, stop-motion and hand-drawn ode to a cherished uncle.
New studio, founded by veterans Drew Neujahr, Sean McAllen, and Shane McAllen, will focus on producing, directing and post, including mixed media and VFX.
From its humble beginnings two decades ago as an early Indian animation pioneer, TMG continues to grow internationally as it embraces ever-expanding global markets.
In the first of a new ‘quick and dirty’ animation production spotlight series, Ritzy Animation’s Dan Edgley and Charlie Batho allow their team a mere 32 hours to produce something deliciously sinister.
VFX supervisor Nhat Phong Tran and team help actor Jon Bernthal blast his way through enemy territory in trailer for new action shooter video game.
With Season 2 launching October 4, and a Season 3 renewal in hand, the show’s executive producer discusses his series about an eccentric 6-year-old girl that is aspirational, relatable, and funny.
Creative studio shares their latest work, a set of humorous 15-second commercials extoling the virtues of drinking milk.
Purchase adds rotoscoping, paint, and photo editing plug-ins to the company’s suite of post-production and visual effects applications.
Led by Emmy-nominated VFX supervisor Mahmoud Rahnama, the studio’s visual effects work spanned 1,100 shots done in just 11 months across four different facilities.
Three reels, including an interview with Emmy nominee, VFX supervisor Nhat Phong Tran, showcase the studio’s superb previsualization and visual effects work on Seth McFarlane’s hit sci-fi action-comedy series.
Three veteran creatives join West Coast office of post-production company specializing in VFX, animation and coloring.
German visual effects studio releases new video highlighting their creature work on the final Blood Queen fight sequence in Neil Marshall's supernatural superhero adventure remake.
The Visual Effects Society releases work project submissions guidelines for upcoming Awards consideration, including information on a new category, qualification changes and deadlines.
Deep Learning and AI will certainly continue making inroads into VFX production, but they are merely tools, there to be our creative servant, not our master.
Profile Studios’ Matt Madden shares how virtually integrating Mark Ruffalo and Josh Brolin with CG assets, live, on set, gave ‘Endgame’ and ‘Infinity War’ filmmakers the immediate viewing access they needed to continually adjust and refine the film’s key digital character performances.
Former Legendary Entertainment production executive most recently managed 3D conversions of ‘Suicide Squad’ and ‘Venom.’
Veteran production and VFX executives receive pink slips as studio continues to downsize.
Program selection recognizes quality of VFX-specific production technology products.
Downloadable document provides filmmakers with practical tips in a variety of crafts, from VFX to stunts.
Building upon its core VFX and animation business, company moves into production, design, and IP development.
