The award-winning visual effects studio delivered 550+ shots, using its trademark mix of artistry and innovation, creating a breathtaking underwater kingdom – harnessing its ‘Fibre’ groom tool, the project team ensured Ariel and the kingdom’s other inhabitants all had ‘great hair days;’ check out their magical reel.
See how the leading visual effects studio delivered 896 shots on Paramount Pictures’ newest entry in the ‘Transformers’ universe, including creating multiple large-scale full CG and digital set extensions, including one that transported the present-day New York skyline back to 1994.
The entertainment leaders are teaming up to provide an all-in-one solution for high-end visual effects, holograms, virtual production, and content creation services.
The studio’s Québec facility celebrates 10th anniversary and announces addition of Francois Lambert and Jeremy Robert as VFX supervisors; recent deliveries include ‘Barbie,’ ‘Guardians of the Galaxy Vol. 3’ and ‘Foundation’ Season 2.
The creative studio once again partnered with Mercedes-Benz, providing live-action production, editorial, post, VFX, color grading and finishing, transforming a daytime shoot on the California coast into night scenes.
The new production studio, founded by Yates Holley and John Kim, represents a series of boutique VFX & Animation Studios, live-action directors, and sound specialists internationally.
The film industry veteran brings 25+ years of experience to the studio, including a BAFTA-nomination for ‘Ant-Man.’
Customers can now access expansive compute resources including NVIDIA RTX A5000-A6000 graphic cards for VFX, animation, and motion graphics workloads; check out the demo at SIGGRAPH 2023, running August 6-10 in LA.
The award-winning visual effects studio creates the huge-jawed Aeschna sea monster, the deadly Flesh Monster, and a huge Ring of Fire, in the hit fantasy adventure’s latest season; watch the final S3 episodes now on Netflix.
The visual effects veteran brings 20+ years’ experience to his new role, including an Oscar win on Sir Ridley Scott’s ‘Gladiator’ and a BAFTA win on ‘Harry Potter and the Deathly Hallows: Part 2.’
The award-winning visual effects house’s latest expansion leverages London infrastructure while building on relationships with regional talent; new facility helmed by long-time employee and 2D supervisor Jorge Oliva Ruiz de Leon.
Using Unreal Engine, the studio helps create authentic sequences of smoke and fire to Netflix’s miniseries inspired by the 1997 Delhi cinema tragedy that took 59 lives.
In an effort to expand its European presence, the VFX studio opens a facility in the 11th arrondissement, promising a wide range of services to match its North American offerings.
Studio created multiple large-scale full CG and digital set extensions, including one that transported the present-day New York skyline back to 1994; a team of 1,000+ artists across London, Montreal, Bangalore, LA, Toronto, and Adelaide delivered 896 shots, including 18 of the movie’s characters.
Scott Meadows has been named Senior Visualization Supervisor, responsible for the studio’s new motion-capture enabled sound stage and real-time pipelines.
The company, founded by Rodney Rothman and Adam Rosenberg, taps animation pro to find, develop and produce animated film and TV projects; new hire follows company recently signing first-look animated broadcast deal with Fox.
Studio adds industry veterans Louis Flores as VFX supervisor and Chrissy Metge as EP, Animation as it expands to partner on yet-to-be-announced animated feature production.
VP of New Business Laura Fitzpatrick to helm new office with Senior VP Producer Doug Oddy stepping into her shoes at the Vancouver studio; the company is currently recruiting for all positions at the new state-of-the-art facility opening in Old Montreal.
17+ year Image Engine veteran and general manager steps up to helm visual effects production across the company and its partner studios including Image Engine, FX3X, and Trixter.
The Cal State LA alum’s credits include ‘Stranger Things,’ ‘The Amazing Spider-Man,’ and ‘The Hunger Games,’ among others.
With co-founders Lucy Ainsworth-Taylor and Angela Barson stepping down from day-to-day operations, the studio welcomes new board members Tracy McCreary, Henry Badgett, and Nic Birmingham.
‘Three Billboards Outside Ebbing, Missouri’ writer/director Martin McDonagh taps the studio as sole visual effects vendor on his award-winning film starring Colin Farrell and Brendan Gleeson; the invisible VFX included creating 1920s environment digital matte paintings and various CG objects and elements.
The industry veteran takes the reigns to optimize the VFX studio's proprietary toolsets including machine learning software and AI-driven creations.
The global VFX and animation studio opens operations in Mumbai, names Jasjit Singh as its General Manager, India.
The London-based studio celebrates 15 years with its first international expansion after delivering VFX on projects such as ‘For All Mankind,’ ‘The Irregulars,’ and HBO Max’s award-winning ‘The Banshees of Inisherin.’
