A stellar Motion Picture Academy VFX Convergence program shines a welcome spotlight on the world of previsualization.
James Gartler walks us through 11 visually tantalizing films hitting the box office this Spring.
Digital Domain and Pixomondo tell us about working on Joe Kosinski's follow-up to Tron: Legacy.
Senior VFX Supervisor Evan Jacobs blends explosive action sequences with a complete Washington DC re-creation, all done in Louisiana.
Digital Domain, ILM and Method step up the explosive action for the new G.I. Joe sequel.
The directors, head of character animation and VFX supervisor describe the making of the latest feature from DreamWorks Animation.
Oz the Great and Powerful offers a new, hybrid spin on a beloved classic.
How Dan Schrecker and Jonathan Levine brought the undead to life in Warm Bodies.
Virtual production takes an evolutionary leap with Bryan Singer's Jack the Giant Slayer.
Method provides imaginative VFX environments for the new supernatural fantasy.
The film’s Executive Producer and ILM VFX Supervisor discuss the Oscar®-nominated superhero epic’s visual effects challenges.
Top industry professionals tackle the issue of what makes a film “the best.”
James Gartler takes us through key visual effects-driven films still waiting to hit theatres this winter.
The Grimm fairy tale gets a gory and funny reworking with plenty of supporting VFX.
Fred Patten digs into Mark Salisbury’s book detailing the latest Tim Burton – Johnny Depp collaboration.
Here's a rundown of the 10 films from last night's VFX Bakeoff presentations at the Motion Picture Academy.
Digital compositor Daniel Molina takes a look at the Foundry’s latest Nuke release.
Disney redefines animation layout, staging and visual development with their paradigm-changing virtual camera system.
Peter Jackson and Joe Letteri describe the brave new virtual world they've created at Weta.
Key rendering, modeling and camera enhancements along with new sculpting tools make this a robust and worthy upgrade.
FuseFX Co-Founder Jason Fotter explains why visual effects work can be Hell on Wheels.
VES Chairman Jeff Okun and executive director Eric Roth issue an open letter in response to an L.A. Times Life of Pi review.
Cinesite's Jon Neill discusses creating the first CG character for the Bond franchise along with other VFX mayhem.
Bill Westenhofer of Rhythm & Hues discusses the VFX secret to Ang Lee's Life of Pi.
WB’s Kurt Galvao on the creation of The Director’s Cut decades in the making.
