New features optimize productivity and remote collaboration with enhancements including HP Anyware Connection Health, New Collaboration Management Console, and Security and Compatibility.
The two-time VES Award-winning and four-time Oscar-nominated Senior Animation Supervisor discusses his team’s groundbreaking animation work on the record-shattering ‘Avatar’ sequel, now in theaters.
Director Fx Goby and band co-creator Jamie Hewlett deliver an ambitious short that brings together prosthetics, pyrotechnics, performance, and intricate visual effects.
‘Anime Action,’ ‘Dark Heroic Drama 3’ and ‘Cinematic Hybrid 2’ albums provide a range of options for content creators and marketing teams with structured tracks, versatile stems and alt versions.
‘Game of Thrones’ actress Oona Chaplin will portray the villainous head of the fiery Na’vi tribe in the franchise’s third film, according to producer Jon Landau.
Economical, entry level system now features new CPUs that offer top performance to optimize creative and accelerated 3D workflows for CAD, 3D design, motion media, and other professional software applications.
For 2 years, Production Designer Ramsey Avery and his team never slept, generating 38,000 pieces of concept art – illustrations, digital models, videos, sketches, and paintings – to support 9,500 VFX shots produced by 20 vendors and their 1,500 artists on Prime Video’s hugely ambitious Middle-earth saga.
The Oscar-winning VFX studio, using Maya and Houdini, delivered 500 VFX shots, including the film’s finale filled with crowds of digi-doubles on the deck, the hull, and in the water around the futuristic Wakandan stealth ship.
The cutting-edge animation studio adds veteran production leadership to take the reins of the studio’s expanding live-action efforts; first project is based on John Brownlow’s action thriller novel ‘Seventeen.’
19 individuals to be awarded at upcoming February 24, 2023 ceremony at the Academy Museum of Motion Pictures; Iain Neil will receive the Gordon E. Sawyer Award for extraordinary technological contributions.
Organization’s flagship Open Source Forum at the Academy Museum of Motion Pictures in Los Angeles is set for February 16.
The company brings on 6 new visual effects post-production experts, including Basia Lalik; Barney Curnow; Theo Demiristz; and Andrew Lim.
Production Visual Effects Supervisor Frank Petzold talks about using in-camera effects wherever possible, eschewing loud and flashy CG sequences for more precise, realistic action centered around what’s captured on set, in Edward Berger’s harrowing and haunting Oscar-nominated war saga, now in theaters and streaming on Netflix.
The project, based on the popular franchise spanning multiple video games, films, and an anime series, is the latest in an overall deal between the streaming giant and the ‘Fleabag’ author.
‘The Bad Guys,’ ‘Guillermo del Toro's Pinocchio,’ ‘Marcel the Shell with Shoes On,’ ‘Puss in Boots: The Last Wish,’ and ‘Turning Red’ are nominated in the animated features category; winners will be announced at the March 5 awards ceremony.
Co-Chairmen and CEOs of DC Studios Peter Safran and James Gunn dive a bit deeper into the next generation of DC films and television series, and how the new core continuity will work.
The award-winning VFX studio’s team, led by Connor Ling and Freddy Salazar, created tools integrated with Unreal Engine 5.1 to render and project realistic backgrounds onto an LED wall using 18 different machines with dual GPUs, for the Netflix series about an ocean liner diverted to answer a distress signal from a long-lost sister ship.
The app can now use real or rendered images - from smartphones, game screenshots, and design applications - to create a virtual reality scene.
The sequel to Matt Reeves’ ‘The Batman’ will hit theaters October 3, 2025 under the DC Elseworlds banner, separate from the new DC Universe core continuity just revealed by James Gunn and Peter Safran.
The streamer shares key art and a featurette to tide fans over until the new 8-episode season’s March 1 release; Lucasfilm’s original live-action series follows the continuing journeys of Din Djarin through the Star Wars galaxy.
Tapping NantStudio’s advanced LED stage powered by Unreal Engine for its ‘auto demo’ project, the studio demonstrates the sustainability impact of harnessing the cutting-edge technology, both in financial and environmental costs.
The studio delivered almost 400 visual effects shots, with its London facility producing a single 10-minute sequence and Montreal facility creating a range of sequences, including full water simulations, integrating CG ships, digi-doubles and a helicopter crashing into the ocean.
The upcoming shows – almost all live-action - make up ‘Chapter 1’ of the new core, interconnected DC Universe; the first film, ‘Superman: Legacy,’ hits theaters July 11, 2025.
Former Zoic exec to helm AGBO’s recently acquired virtual production studio, specializing in real-time applications in visual effects and animation, to be housed at its downtown Los Angeles creative campus.
The iconic admiral is forced to confront the legacy of his past and new revelations that may alter the fate of the Federation; Season 3 premieres February 16 exclusively on Paramount+.
