Lookiing for advice

any advice? ok. Where do you live? NY? - if so, call an animation company and ask if you can come over get their coffee, make copies, answer phones, ANYTHING for no charge. Live in LA? same thing. Live elsewhere? Look on the net and see what is near you. Good luck.

I have another question, I would like to improve my drawing skills, Im ok but it takes me a long time just to do an exceptable drawing. I was wondering if any 2d artists could tell me how much time I should spend on it per week. I want to develope my drawing for character/vehicle/architecture consepts and do better storyboarding.

any advice would be great

The amount of time varies from person to person, typically whatever amount of time you can comfortably spare.

Spend the amount of time needed, with intensity/focus, until you get the results you seek.
If you are approaching the drawing half-heartedly and occasionally, you'll get mediocre results. If you commit yourself to focused study and application you get faster, likely better results.

Two things will work in your favour, that I suggest developing:
One being learning to see--to be able to draw precisely/accurately, what you see. That will help refine your neurology for drawing from memory and imagination, because you will have a pattern of established aesthetic "history" in your drawing to tap from.

Second being to not just draw the same thing over and over again, hoping you'll learn something new from it.
Repetition, though the mother of skill can be boring. If some advise you to draw nothing but hands, in order to get good at drawing hands, it'll become tedious JUST drawing those hands.
Tedium will lead to apathy and that leads to not drawing enough.
Why try to re-invent the wheel from scratch every time.
Every artist is "good at something"--each of us has what we believe to be our own expertise.
Capitalize on that.
What I mean is take what you already know and can draw and ADD to it.
If you are good at drawing people, but lousy at backgrounds, for example--keep drawing the people, but add in a small background behind them.
Doesn't need to be fancy, just needs to be based off of your studies about settings and perspective etc.
Each new drawing you do, diminish the importance of the figure a bit, and add to the complexity of the new backgrounds.
Even if your BGs suck at first, at least you still have a successful drawing with the figures you can do well--and that will KEEP you drawing more.

This method is what I call adding to your "visual vocabulary".
You add a bit each time, and use what you have learned a bit more each time increasing the sum of your drawing repertoire.

If you constantly focus on challenging yourself, and studying how others solve drawing problems and apply that to your own work, you'll progress at a satisfying pace.