Cinesite delivers digital environments, digital make-up and prosthetics, decapitation and limb removal, crowds of computer generated rampaging zombies, and flashbacks to London burning during an attack for zombie-themed reimagined classic.
LONDON -- Cinesite completed over 200 visual effects for Pride & Prejudice & Zombies, the zombie mash-up directed by Burr Steers and based on the celebrated Jane Austin classic. Work on the visual effects was shared across Cinesite’s London and Montréal studios.
Based on the bestselling book of the same name by Seth Grahame-Smith, the plot follows the repercussions of a mysterious plague which has fallen upon 19th century England, now overrun with the undead. Feisty heroine and martial arts expert Elizabeth Bennet joins forces with Mr. Darcy to battle the zombies while discovering their love for each other.
Visual Effects Supervisor for the production was Cinesite’s own Simon Stanley-Clamp, who was involved from the pre-production stage. Filming took place late in 2014 at a range of National Trust properties within the M25 London area. Production designer David Warren and Prosthetic Makeup Supervisor Mark Coulier were closely involved with visual effects both before and during filming to ensure consistency of style and approach.
Cinesite’s visual effects covered the creation of a range of digital environments, digital make-up and prosthetics, decapitation and limb removal, crowds of computer generated rampaging zombies, and flashbacks to London burning during a zombie attack for the zombie-themed reimagined classic.
In the world of Pride & Prejudice & Zombies, the zombies are kept enclosed in London behind a Great Wall and a defensive barricade known by production as “The Meat Muncher.” The gateway to Hertfordshire County, which adjoins the Muncher, was built as a set piece, surveyed and tracked with a 3D environment built from production artwork. The Meat Muncher, which forms part of this 3D environment, is a combination of large, conjoined, barbed metal wheels which form an imposing wall, slowly grinding at the ground to stop the zombies from escaping under or over.
Other environments, including the Bennets’ House and several rural properties around England, required the addition of defensive towers and fortifications.
At the climax of the film, where Zombies are converging on the last defense against the plague, Hinckley Bridge, the structure is destroyed in a dramatic explosion. The 100-foot bridge set was originally constructed at Shepperton Studios’ backlot. Cinesite’s team extended the set digitally, adding to the pyrotechnics with its extensive library of SFX elements and bespoke CG FX for the flames, explosions and debris.
Enhancement of digital zombie make-up also made up a major part of Cinesite’s work. Minimal prosthetics were applied to the actresses and later modified extensively with digital make-up, along with re-projected exposed skeletal detail and gore.
The film was released on February 5th in the U.S. and Canada, and on 11th February in the U.K.
Source: Cinesite VFX
Formerly Editor-in-Chief of Animation World Network, Jennifer Wolfe has worked in the Media & Entertainment industry as a writer and PR professional since 2003.
