AWN Headline News

PDI has hired Arnauld Lamorlette, 34, formerly vice president and director of R&D at the Paris-based studio Buf Compagnie, to join PDI's visual effects team. Lamorlette has been named a Senior Visual Effects Developer on SHREK. Aron Warner, SHREK producer, said, "He has been brought on to PDI's team to oversee the creation of computer-generated human characters and the rich organic world they will inhabit in SHREK.

ELIZA MCLATCHY has been named associate producer at Boston-based LOCONTE GOLDMAN DESIGN. In this post, McLatchy will work with senior producers and operations to develop and maintain the structure of projects. She will also serve as the liaison between creative personnel and the operations department. Prior to joining LoConte Goldman, McLatchy, 24, freelanced for the company on a variety of projects including "ESPN Speedworld," Romance Classics Network "Fire & Ice Valentine's Special," and a corporate image video for Lotus Development Corporation.

Chicago, Illinois-based TRICKY PICTURES has produced a 20-second main title animation sequence for Nickelodeon's I AM POEM series. In addition, Belgian director and animator Dirk van de Vondel, represented by Tricky Pictures, was selected from more than 200 candidates to create a visual adaptation of "I Used To Be," one of the 15 poems in the series. Produced by Nickelodeon's Creative Lab to serve as interstitial programming, I AM POEM is a new series of short-form films based on original kids' poetry.

New York-based SPONTANEOUS COMBUSTION created a 10-second animated logo for design company Number 17 New York, which will be shown at the head of all future SATURDAY NIGHT LIVE (SNL) theatrical releases. It will debut later this year with the release of SUPERSTAR which features the neurotic Catholic schoolgirl Mary Catherine Gallagher, who is portrayed by Molly Shannon on NBC's long-running sketch comedy series. The opening is a dreamy and abstract representation of nightime in New York City with lights of different speeds, scales and densities resolving through to the SNL Studios Logo.

Spontaneous Combustion, the New York-based digital studio specializing in visual effects, has added desktop artist Bryan Keeling to its graphics team. Keeling, 27, specializes in Adobe After Effects and other desktop paint-and-animation packages. Keeling makes the move following a four-year stint at Pittard Sullivan.

Portland, Oregon-based WILL VINTON STUDIOS (WVS) has completed a CG-spot for Griffin Bacal's client, Just Born, featuring "Marshmallow Peeps." The 15-second spot, "Peeps Choir," which began airing on March 8, is the first-ever television commercial for the 76-year-old company headquartered in Bethlehem, Pennsylvania. The commercial features marshmallow chicks and bunnies performing in a musical revue to a reworked version of "Rockin' Robin." "The challenge was...to give each Peep its very own, special personality..." commented Jill Bazos, Griffin Bacal group account director.

PIXAR has announced that its Chief Financial Officer and executive vice president, Lawrence Levy, will leave his post at the end March to take personal time off. No replacement has been announced yet. Levy will continue to be involved with Pixar as a member of the company's Board of Directors. Pixar also announced that it has appointed Chief Technical Officer Ed Catmull to its Board.

The fledgling Fox Family Channel has added ten new animated series to its kid and teen-targeted daytime lineup for the 1999-2000 season. The lineup represents a major investment from Fox Family in creating original and entertaining animated programming. Animation World Network spoke to Joel Andryc, Senior Vice President, Programming & Development about this lineup and how they're working to create a unique identity in the already overcrowded world of cable.

One of the largest motion capture studios in the world, hOuse of mOves (HOM), has moved to a larger facility in Marina del Rey, California, situated near Los Angeles International Airport. The larger space includes a 3,500-square foot stage with a 24-foot ceiling, along with an additional 3,500 sq. ft. of space for executive offices and conference rooms. HOM has also upgraded their motion capture hardware to include a new system with 12 cameras capturing at anywhere from 60-240 frames per second.