Returning for its 8th edition, the festival runs January 21-26 2025, and will present 7 feature-length films and 5 short film programs, with a special focus on Swiss animation.
Executive producer and supervising director Tom Warburton talks about his new animated musical kids’ series that follows 5-year-old Berti and her friends as they navigate the challenges of starting school for the very first time, debuting today on Disney Jr. and Disney Channel, tomorrow on Disney+.
For supervising director Pete Michels and lead character designer Andy Ristaino, there’s incredible joy, and challenge, in the production of all-new Dan Harmon and FOX 2D series’ abundant supply of weird creatures, from a mantitaur with five-animal-parts body to toothy krakens and seaweed-skinned princesses.
Created via ‘The Right/Write to Heal Initiative,’ the film unveils the experiences of incarcerated and formerly incarcerated women, who, in their own voices, reflect on the consequences on themselves, their families and their communities.
Global Mechanic’s Bruce Alcock discusses YouTube’s all-new, ‘Pee-wee’s Playhouse’-inspired preschool series – mixing stop-motion, motion graphics, 2D, and live-action - about besties Lamb and Anne the Alligator on their musical travels around the U.S.; series premieres January 19.
Developed in concert with the art and design community, the new display boasts performance improvements, standard multi-touch, faster refresh rates, vivid and accurate color, and added customizable options.
The delightful 2D/3D animated musical short, about a curious bear cub’s attempt to resist hibernation, marks the start of the program’s ambitious plan to produce two new shorts each year.
With the final short’s release, the famous alt-rock musician discusses animated storytelling and his ambitious and expansive five-episode 2D series, produced to support the band’s long-awaited double album, ‘CYR’; watch ‘Purple Blood,’ the fifth and final film.
For Mike Anderson, Jared Hobbs, and Barret Thomson, producing Billy Corgan’s ambitious, five-episode project meant matching a 2D style to the frontman’s vision, while finding innovative ways to develop useful animatics just from scripts, well before the unreleased music made it into their hands.
FUSE’s adult animated sketch comedy take on Saturday morning cartoons is back, from two of the creatives who brought us ‘Black Dynamite’ and ‘The Boondocks,’ with new episodes running every Sunday evening.
Art director Justin Wagner and associate art director Chi Duong Sato share an extensive set of high-octane storyboards, environments and concept art from Season 11 of Adam Reed and FXX’s hit animated comedy series.
With a new season of their satirical adult animated sketch comedy show coming soon to Fuse TV, the ‘Black Dynamite’ and ‘The Boondocks’ producers discuss being funny, and controversial, in a Black Lives Matter and pandemic-focused world.
Emmy Award winner Tony Hale’s animated comedy about the misadventures of a curious, loveable chicken returns to Netflix on March 20.
The Emmy-nominated ‘Family Guy’ executive producer returns for Season 3, delivering over 100 minutes of animation for the venerable, highly acclaimed science franchise, which debuts tonight on National Geographic.
Matthew A. Cherry’s delightful and touching ode to a dad’s brave attempt at taming his daughter’s unruly hair shows that diverse stories can resonate with the “parent” and “kid” in all of us.
‘Celebrity Deathmatch’ creator Eric Fogel brings the off-beat tales of Hale’s gangly, cheerful and boldly enthusiastic young chicken to life in the new Netflix Original Series from DreamWorks Animation.
Fuse TV’s new series, a late-night, live-action / animated parody from the ‘Black Dynamite’ and ‘The Boondocks’ producers, is a savagely funny social commentary mashup on hip-hop culture and Saturday morning cartoons.
Company announces special pricing on Harmony and Storyboard Pro as it celebrates new edition of its flagship animation production software and 25 years supporting creators around the globe.
Art director Chad Hurd and associate art director Justin Wagner share 26 storyboards from Season 10 of Adam Reed and FXX’s hit animated comedy series.
Chad Hurd and Justin Wagner share artwork and creative insights on our favorite FXX animated misfit ensemble that has taken its incessant backbiting to the Cosmos in a new season of robots, aliens, space battles, excessive drinking and boner references.
Chad Hurd and Justin Wagner share artwork and creative insights from the Season 9 pre-WWII South Pacific island redesign.
Chad Hurd and Justin Wagner share artwork and creative insights from the Season 9 pre-WWII South Pacific island redesign.
Gallery of process images from ‘My Little Pony: The Movie’ cinematographer Anthony Di Ninno showcases the work that went into crafting the final film.
Cinematographer Anthony Di Ninno discusses virtual cameras, staging, lighting, the advantages of a hybrid 2D/3D pipeline, and more for the new animated feature based on Hasbro’s ‘My Little Pony: Friendship Is Magic’ television series.
PipelineFX's render farm manager keeps the award-winning studio's recreations of Fab Four songs for Netflix's animated series "Beat Bugs" on track.
