Based on Carys Bexington’s bestselling book, the animated feature follows St. Nick as he goes down the rabbit hole and meets a host of familiar characters who help him save Christmas; the holiday flick hits Hulu on November 15.
The new animated feature, based on Carys Bexington’s bestselling book, follows St. Nick (Butler) as he goes down the rabbit hole and meets a host of familiar characters who help him save Christmas.
Charlie Mackesy and Peter Baynton’s Annie Award-winning and Oscar-nominated feel-good short film, about the unlikely friendship between a boy, a mole, a fox, and a horse as they explore the meaning of kindness, courage and compassion, brims with comforting, heartwarming messages of hope.
Join the free February 28 online discussion with the directors of ‘My Year of Dicks,’ ‘The Boy, the Mole, the Fox and the Horse,’ ‘The Flying Sailor,’ ‘Ice Merchants’ and ‘An Ostrich Told Me the World Is Fake and I Think I Believe It;’ watch the nominated shorts on the Animation Showcase.
The beautiful and compelling new hand-drawn Apple Original Film, based on the bestselling illustrated book by Charlie Mackesy, debuts on Apple TV+ December 25.
Based on Charlie Mackesy’s book of the same name, the hand-drawn animated short tells a story of kindness, friendship, courage, and hope following a boy’s journey searching for home; coming to the streamer Christmas Day.
Starring Tom Hollander, Idris Elba, Gabriel Byrne, and Jude Coward Nicoll, produced by J.J. Abrams and Hannah Minghella, and based on the best-selling book by Charlie Mackesy, the hand-drawn Apple Original Films short, about an unlikely friendship between a boy, a mole, a fox, and a horse, journeying together to find the boy’s home, will debut the same day on the BBC in the U.K.
‘Perfect Houseguest’ from Baltimore-based studio Tiny Inventions wins Best in Show; NFTS student Rhiannon Evans wins Best Student Film for ‘Fulfilament.’
Radish Pictures director Peter Baynton teams with Trunk Animation to create an award-winning music video for songwriter Benjamin Scheuer’s ‘Weather the Storm.’
