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Tagged With: Previs

The Road to Turin Headline News

VIEW 2023 Welcomes ‘Chicken Run: Dawn of the Nugget’ Writer/Director Sam Fell

Fell will attend in person, presenting on the making of Netflix and Aardman’s upcoming animated comedy about the new adventures of freedom-fighting chickens Ginger and Rocky; the VIEW Conference takes place October 15-20 in Turin, Italy.

TV VFX VFXWorld

Finding a Proper VFX Balance on Joe and Anthony Russo’s ‘Citadel’

Led by VFX supervisor Wes Froud and VFX producer Scott Shapiro, lead vendor DNEG, along with Digital Domain, Distillery VFX, Host VFX, Luma Pictures, Outpost VFX, Perception, RISE, Territory Studios, Visual Creatures, and Zoic Studios, delivered a wide selection of 1,796 VFX shots, ranging from UI motion graphics to an explosive train crash, on the famed MCU directing duo’s new spy thriller series, now streaming on Prime Video.

The Road to Turin Headline News

‘Nimona’ Directors Head to VIEW 2023

Nick Bruno and Troy Quane are set to attend the upcoming conference in-person to present their new animated feature, now streaming on Netflix, based on the New York Times best-selling graphic novel by ND Stevenson; the VIEW Conference takes place October 15-20 in Turin, Italy.

Fangs for the Previs Headline News

Proof Shares a Biting ‘Renfield’ Visualization Reel

The leading visualization studio did extensive previs, techvis, and postvis for Universal Pictures' horror/comedy starring Nicholas Hoult and Nicolas Cage; sequences included the massacre of goons, Dracula transformations, and the film’s final battle. 

Unreal Engine in Previs Headline News

FutureWorks Delivers ‘Trial by Fire’ Previs

Using Unreal Engine, the studio helps create authentic sequences of smoke and fire to Netflix’s miniseries inspired by the 1997 Delhi cinema tragedy that took 59 lives.

VFX Magic Headline News

MPC Shares VFX and Animation From ‘Transformers: Rise of the Beasts’

Studio created multiple large-scale full CG and digital set extensions, including one that transported the present-day New York skyline back to 1994; a team of 1,000+ artists across London, Montreal, Bangalore, LA, Toronto, and Adelaide delivered 896 shots, including 18 of the movie’s characters.

One Last Ride VFXWorld

Wētā FX Brings a ‘Universe’ of Visuals to ‘Guardians of the Galaxy Vol. 3’

From giant red spaceships to tentacled, toothy Abilisks, the studio’s VFX and animation teams, led by VFX supervisor Guy Williams and animation supervisor Michael Cozens, pull out all the stops for the final chapter of James Gunn’s MCU trilogy.

Happy Dino Day Headline News

Dino Day Sees Epic Landscape Art Installations, ‘Prehistoric Planet’ Season 2

Dinosaurs took a bow with artist David Popa’s larger-than-life landscape art, featuring Tyrannosaurus rex, Triceratops and Hatzegopteryx, shared around the world; new episodes of the epic natural history docuseries are now available on Apple TV+.

That’s the Second Biggest Themberchaud We’ve Ever Seen VFXWorld

MPC Goes with the Lava Flow on ‘Dungeons & Dragon: Honor Among Thieves’

Led by VFX supervisor Axel Bonami, the studio’s team delivers 500 shots on Jonathan Goldstein and John Francis’ action adventure, including a multi-creature-transformation castle escape sequence, the cavernous, lava-filled Underdark, Themberchaud the dragon, a host of magical spells and one really cool portal.

It’s Unreal! Headline News

Epic Games Launches ‘Virtual Production Visualization Guide’

The Unreal Engine creator rolls out Chapter 1 of its step-by-step hands-on look at how to get started with virtual production visualization workflows.

The Road to Turin Headline News

‘Elemental’ Director Peter Sohn to Attend VIEW 2023

By Dan Sarto | Monday, May 29, 2023 at 12:39am

Pixar’s VP / Creative Director will be there in-person at the upcoming conference, presenting the studio’s new 3DCG film that just premiered at Cannes and hits theaters June 16.

Rawwwrrrr! Headline News

Exclusive: Jon Favreau, Mike Gunton, and Tim Walker’s ‘Prehistoric Planet’ S2 Featurette

By Dan Sarto | Wednesday, May 24, 2023 at 8:00am

Go behind the scenes with the executive producers and producer, who talk about how VFX artists at MPC and scientists - especially Dr. Darren Naish, consulting paleontologist - worked together to bring the second season to life, with new dinosaurs, new habitats and scientific discoveries; now streaming on Apple TV+.

People Headline News

The VFX & Post Talent Agency Adds 5 to Post Team

Danny Salas, Phil Eldridge, Cory McCrum, James Barham, and Rob Duffield join the company, bringing years of expertise from working on numerous films and TV projects.

The Road to Turin Headline News

Henry Selick, Doug Chiang, and Hal Hickel to Speak at VIEW 2023

The stop-motion legend, Lucasfilm executive creative director, and senior ILM animation supervisor, respectively, will head to Turin to deliver a suite of in-person talks and workshops; Italy’s premier international event on Computer Graphics, Interactive Techniques, Digital Cinema, 2D/3D Animation, VR and AR, Gaming, and VFX runs October 15-20.

That’s the Second Biggest Owlbear We’ve Ever Seen VFXWorld

ILM is a True Partner in Crime on ‘Dungeons & Dragons: Honor Among Thieves’ VFX

Production VFX Supervisor Ben Snow discusses key visuals on Paramount’s new fantasy adventure, including Industrial Light & Magic’s work on a shapeshifting Owlbear, a Gelatinous Cube, the surreal Ethereal Plane, and lots of magical spells.

Nighty Night! VFXWorld

Halon’s ‘Slumberland’ Visualization Shows Exactly What Dreams are Made Of

By Dan Sarto | Friday, May 12, 2023 at 12:51pm

Teams led by Casey Pyke and Ryan McCoy produced previs – and some postvis – on key scenes involving the Ballroom Dance, an Octopus chase, a Garbage Truck chase, and the big third act dreams chase, on Francis Lawrence’s adaptation of Winsor McCay’s famous comic strip, now streaming on Netflix.

People Headline News

Digital Domain Names Matt McClurg Head of Visualization

The industry veteran takes the reigns to optimize the VFX studio's proprietary toolsets including machine learning software and AI-driven creations.

Rawwwrrrr! Headline News

Apple TV+ Teases ‘Prehistoric Planet’ Season 2

Show’s sophomore outing continues to bring Earth’s history to life with new dinosaurs, new habitats and scientific discoveries while taking viewers around the world on an epic adventure, debuting with a global five-day, week-long event in May.

SVOD VFXWorld

Getting Lots of Painting Practice on ‘His Dark Materials’

The Cardiff-based design studio, led by co-founders Joel Collins and Daniel May, along with company creative director Erica McEwan, produced visdev, previs, artvis, and UI design, along with virtual scouting, on HBO’s fantasy drama, based on Philip Pullman’s award-winning book trilogy of the same name.

2D Events

SIGGRAPH Asia 2023

Begins: December 12, 2023

Annual computer graphics conference and exhibition comes to Sydney, Australia December 12-15; the event’s Computer Animation Festival celebrates the inspiring world of computer generated visuals.

Homeroom is Finally Cool VFXWorld

Framestore Brings Home a Great VFX Report Card on ‘The School for Good and Evil’

The leading visual effects company delivers 328 shots from its Montreal facility, with another 233 from its London facility, including heavy magical element simulations, a swarm of bees transforming into a human, and the wish fish girl, on the Paul Feig fantasy adventure now streaming on Netflix.

2D Events

VIEW 2023 Set for October 15-20

Begins: October 15, 2023

The VIEW Conference is Italy's premiere international event on Computer Graphics, Interactive Techniques, Digital Cinema, 2D/3D Animation, VR and AR, Gaming and VFX - coming to Turin October 15-20.

The Future of 3D Production ANIMATIONWorld

How NVIDIA’S Omniverse is Helping Shape the Future of 3D Production

By Dan Sarto | Thursday, March 30, 2023 at 8:00am

The company’s General Manager of M&E, Richard Kerris, takes a deep dive into the processes and promise of NVIDIA’s groundbreaking creative platform.

VFX for TV Headline News

NVIZ Harnesses Unreal Engine for Netflix’s ‘Shadow and Bone’ Season 2 Previs

Leading visualization company provides key techvis to help the production team make informed creative and financial decisions by first enabling exploration of virtual scenes and providing what amounted to a ‘digital storyboard.’

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