The addition of PFT’s platforms CLEAR and CLEAR AI supports the group’s expansion into AI-powered tech solutions for M&E.
Herne Hill VFX supervisor Ben King describes how his studio delivered almost 200 visual effects shots, all grounded in a 1970s cinematic style, including extensive layering of practical and digital fire, along with a jackal-inspired demon, in Arkasha Stevenson’s chilling prequel to the classic 1976 film.
Technicolor Group-owned VFX house The Mill will use AI technology to create what’s being billed as ‘the most realistic and authentic version of Elvis’ alongside Layered Reality’s newly expanded in-house creative team.
The joint venture, setup as a separate business, aims to redefine the global hospitality and airport services landscape with digital human technology and AI; the virtual assistant has made its global debut at the Plaza Premium Lounge at Taoyuan International Airport.
Behind the screens, NVIDIA technology helps ensure that the eye-popping display panels act as one synchronized canvas across the 750,000 square-foot venue.
World-building lab and creative studio’s new facility features a 30-foot-wide by 10-foot-high LED wall built with AOTO 2.3mm pixel pitch panels and Brompton SX40 Tessera processors.
Conference and exhibition runs December 15-18, 2025 at the Hong Kong Convention and Exhibition Centre.
From indie creator Hooroo Jackson and made for $405, the film follows a college scandal and a vampire on trial, premieres this July on major streaming platforms.
The hybrid event, featuring talks, panels, and workshops by worldwide industry leaders, returns to Cologne, Germany this August 18-20.
The new system blends 2D and 3D techniques, promising to blur the line between concept art and production.
The animation production technology company jumps into the fray with promises of ethically supported and trained AI to protect the work of artists and programmers.
The United Al Saqer Group’s fund infusion accelerates company’s diversification from service provider to content production and AI-powered technology partner, bolstering expansion of Prime Focus Studios’ content creation efforts, start of new tech division Brahma, and launch of visual experience hub in Abu Dhabi.
On the latest Rovio series, Titmouse, with help from Snipple Animation and Yearim Productions, finds the right visual bridge between the property’s 3DCG films and flat 2D games, with layered depth and lighting that makes the action pop while maintaining some cartoony plasticity and feel; now streaming on Amazon Kids+ and Prime Video.
Dr. Dava Newman, Manu Prakash, and Dr. Mark Sagar will also deliver Keynotes, sharing their perspectives for building a technological future taking us forward into the next half century; the event runs July 28–August 1 at the Colorado Convention Center.
The premier conference and exhibition on computer graphics and interactive techniques returns to Denver, home of the event’s inaugural 1974 edition, running July 28 – August 1.
Partnership with Ryan Reynolds and Blake Lively’s Group Effort Initiative on U.K.-based program is aimed at providing training opportunities to under-represented talent in a cutting-edge production environment.
EP Lynne Southerland and art director Chrystin Garland discuss their push for authenticity in the all-new 3DCG preschool series about the young mermaid princess that incorporates the islands’ multi-cultural elements of music, food, fashion, language, and folklore; show debuts June 27 on Disney Junior.
Markerless mocap solution enables real-time creation of 3D digital experiences in virtual production, sports, gaming, retail and event activations, and broadcast TV.
Pre-configured Disguise studio control stacks for projects of all sizes include ROE LEDs, camera tracking, comprehensive creative and technical support, and training in one seamless solution.
Produced at Carnegie Mellon University, Moshe Mahler’s animated short documentary ‘The Art of Weightlessness’ awarded Best in Show at the Oscar-qualifying Computer Animation Festival.
Program displays latest in computer graphics, highlights intersection of art and technology, and illustrates advancements in art, language, and contemporary media art; runs July 28 – August 1 at the Colorado Convention Center.
On heels of signing joint venture with DNEG to launch DNEG 360 division, the company announced its choice for cloud and technology platforms to scale global visualization, virtual production and content creation services.
New release includes advanced AI Tools for VFX artists and content creators including time warps, automatic face detection, a new colorize effect, Particle Illusion updates, and faster speeds.
CG animation producer Shelley Smith and VFX supervisor Freddy Chaleur discuss how DNEG Animation perfected the not very Shakespearean process of staying on model while animating the extreme poses of a furry cat, based on iconic 2D comic designs, that can eat an entire pizza in one bite.
The end-to-end 3D spatial video software provider announces deal that expands its efforts in race to capture and generate 3D digital humans and spatial video while marking an evolution of generative AI from 2D to 3D creation.
