Taking an Old-School VFX Approach in ‘All Quiet on the Western Front’
Production Visual Effects Supervisor Frank Petzold talks about using in-camera effects wherever possible, eschewing loud and flashy CG sequences for more precise, realistic action centered around what’s captured on set, in Edward Berger’s harrowing and haunting Oscar-nominated war saga, now in theaters and streaming on Netflix.
In 3D, CG, Digital Media, Films, People, Technology, Visual Effects | VFXWorld | Special Events: Academy Awards | Geographic Region: All
