Art director Justin Wagner and associate art director Chi Duong Sato share an extensive board sequence, vehicle designs, environment design-to-final sequences, and final sequence images from the all-new, action-packed, martini-in-hand Season 12 of Adam Reed and FXX’s hit animated comedy series.
Art director Sierra Lewis built on creator Tony Hale and director Eric Fogel’s vision to design a fantastical, sweater-wearing chicken’s world that felt sophisticated, textured, and cinematic.
The VFX powerhouse delivers a bustling Santa’s village, both North and South Poles, and cute and quirky digital characters including Belsnickel, his Jack-a-lotes, reindeer, a Yule Cat Jola, and 641 elves, in the Netflix holiday adventure.
Art director Justin Wagner and associate art director Chi Duong Sato share an extensive set of high-octane storyboards, environments and concept art from Season 11 of Adam Reed and FXX’s hit animated comedy series.
Nominated for a Best Visual Effects Oscar, Jon Favreau’s VES Award-winning hit was a masterpiece of photorealistic animation and state-of-the-art virtual production.
Take a peek as the feathered tykes are launched into outer space, and channel their inner Cowpoke; the sequel to Rovio’s 2016 animated hit, ‘The Angry Birds,’ is available now on Digital, and November 12 on 4K Ultra HD, Blu-ray and DVD.
In support of the film’s home entertainment release, legendary VFX supervisor Rob Legato and cinematographer Caleb Deschanel talk about their groundbreaking work on ‘The Lion King.’
Directed by Jon Favreau, the global box office hit will also be available physically on 4K Ultra HD, Blu-ray and DVD October 22
For first-time VFX supervisor Stirling Duguid, animating water, lava, pig snot and millions of feathers was only part of the fun producing the sequel to Rovio’s 2016 animated hit, ‘The Angry Birds.’
Production designer Pete Oswald discusses the challenge of creating Zeta, an engaging new villain, and her sub-zero Eagle Island lair in Sony Pictures Animation and Rovio’s ‘Angry Birds’ animated comedy sequel.
VFX powerhouse MPC's animation supervisor Stephen Enticott discusses how the studio balanced photorealism with emotion while crafting the engaging performances in ‘The Lion King,’ Disney’s latest hit animated classic remake.
Chad Hurd and Justin Wagner share artwork and creative insights on our favorite FXX animated misfit ensemble that has taken its incessant backbiting to the Cosmos in a new season of robots, aliens, space battles, excessive drinking and boner references.
Studio provides elaborate VFX, including full CG derailment, previs, matte paintings and digital background replacements, for 90-second Western-themed “Train” commercial.
Directed by Izzy Burton and adapted from a poem by Rachel Cladingbowl, the short covers one man’s journey through life.
Led by VFX Supervisor Colin Davies and VFX Producer George Macri, Spin VFX delivers seamless invisible effects for more than 100 shots including period specific-matte paintings and seasonal augmentation as well as paint and compositing work.
Led by VFX supervisor Jeff Campbell and supervising VFX producer George Macri, SpinVFX delivers nearly 150 shots to help bring to life the remarkable true story of the 33 survivors of the Chilean mine disaster.
