22-year VFX veteran bolsters studio’s supervisory team; studio’s recent project deliveries include ‘Guardians of the Galaxy Vol.3,’ ‘Barbie,’ ‘The Little Mermaid’ and ‘Loki’ Season 2.
See how the leading visual effects studio delivered 896 shots on Paramount Pictures’ newest entry in the ‘Transformers’ universe, including creating multiple large-scale full CG and digital set extensions, including one that transported the present-day New York skyline back to 1994.
Studio created multiple large-scale full CG and digital set extensions, including one that transported the present-day New York skyline back to 1994; a team of 1,000+ artists across London, Montreal, Bangalore, LA, Toronto, and Adelaide delivered 896 shots, including 18 of the movie’s characters.
Paramount Pictures and Skydance’s upcoming sci-fi adventure introduces a new breed of Transformers - The Maximals, played by Ron Perlman, Michelle Yeoh, David Sobolov, and Tongayi Chirisa, hitting theaters June 9.
MPC and Technicolor Creative Studios team to create film’s CG backdrop, set in the brutality of 1300’s France; over 400 shots were delivered from teams in London, Montreal, Bangalore, and Paris, made more complex by the challenges of COVID filmmaking.
Leading visual effects studio completes 2,168 shots for Disney and Angelina Jolie’s fantasy adventure follow-up to their 2013 hit, ‘Maleficent.’
Oscar-nominated artist brings nearly three decades of experience to London-based facility.
Led by VFX Supervisor Gary Brozenich and DFX Supervisor Matt Middleton, MPC delivers the finale sequence for ‘Edge of Tomorrow.’
MPC completes more than 550 shots for Disney’s The Lone Ranger, ranging from full CG canyons, caves and Comanche attacks to CG trains, horses, birds, arrows, fire and scorpions.
MPC’s work on Disney’s The Lone Ranger is recognized with an Oscar nomination for Visual Effects at the 86th Academy Awards.
