Sony Pictures Imageworks has just shared with AWN and VFXWorld a look at how their team, led by Oscar- and BAFTA-nominated VFX supervisor Theo Bialek, were tasked with building the planet-sized organic structure known as the Orgoscope.
Ryan Reynolds returns as the fourth wall breaking ‘Merc with a Mouth’ in the third installment of the scandalous Marvel Studios franchise, alongside Hugh Jackman as Wolverine; the film hits theaters July 26.
Hear how it all began… discover why our world went quiet. And don’t make a sound. Hitting theaters this June.
Attendees can explore ‘Loki’ Season 2 timeline mayhem and get insight into the making of the 60th anniversary ‘Doctor Who’ special episode; 4-day event kicks off in Stuttgart on April 23, 2024.
ILM, led by Simone Coco and Jeff Sutherland, delivered between 1,100-1,200 shots on the Christopher McQuarrie spy thriller, including a gunfight in an Abu Dhabi desert sandstorm, a Rome car chase, and fight atop a speeding train, and star Tom Cruise’s famed motorbike cliff jump.
The animation and VFX studio taps ILM and NVIX alum Jamie Wood as Head of Compositing, also names Peter Seager as Head of CG.
The film is the seventh collaboration between the director and composer, with previous projects including ‘The Martian,’ ‘Prometheus,’ and ‘Exodus: Gods and Kings;’ the bloody sequel that follows Lucilla’s son Lucius hits theaters on November 22, 2024.
VFX supervisor Simone Coco’s team took on the French general’s famous Battle of Austerlitz, stitching together three different locations, as well as creating thousands of unique, accurately outfitted CG soldiers and horses.
Lead Glen Powell reveals the upcoming film, set in the world created by the original 1996 disaster film, is a 'standalone story in the modern day;' the pic storms into theaters July 19, 2024.
While the ‘Star Wars’ sci-fi franchise boasts many upcoming offerings, including ‘The Acolyte,’ ‘Skeleton Crew,’ and ‘The Bad Batch Season 3,’ Disney’s release slate for 2024 has one notable omission…
After over six years of litigation, an Oakland jury has awarded roughly $600,000 to Reardon’s Oscar-winning VFX software MOVA Contour, with a paltry $345,000 meant to represent the profits gained from the wrongful use of assets.
Jon Steinberg and Dan Shotz’s reimagining of Rick Riordan’s best-selling book series, that tells the story of a 12-year-old with newfound divine powers and his journey to find a lightening bolt he’s accused of stealing, looked to ILM VFX supervisor Jeff White and the studio’s groundbreaking StageCraft LED Volume technology for live-action shoots integrating real-time animated environments.
The gripping adventure set amidst a future war between humans and the forces of AI debuts on the streamer December 20; also now available for purchase on digital and 4K Ultra HD, Blu-ray, and DVD.
The director and his VFX Supervisor, Jay Cooper, explain how they completely reversed the standard production process for his sci-fi epic, employing spontaneous live-action shoots that looked cool, not controlled, with 3D environments, digital matte paintings, and many other elements on the 1,600 visual effects shots designed afterwards, not before.
Produced in partnership with ILM and narrated by Morgan Freeman, Netflix’s new documentary series uses the latest technology and science to resurrect creatures long extinct as it follows life’s epic battle to conquer and survive on planet earth.
Arthur Curry and Orm team to protect their bloodline and Atlantis from the dastardly Black Manta in the ‘Aquaman’ sequel, hitting theaters December 22.
Wrapping up Infinity Festival Hollywood’s 6th edition, the awards presentation honored visionaries in the fields of television, film, gaming, fine art and their contributions to storytelling and technology.
Our first big Geeked Week '23 animation reveal shares cast and images from Shannon Tindle’s highly-anticipated film, based on the beloved Japanese character, baseball superstar Ken Sato, who returns home to Japan, picking up the mantle of Earth-defending superhero Ultraman.
Caption Marvel forms an unlikely trio with Captain Rambeau and Ms. Marvel to save the universe this Friday, November 10... and guess who shows up?
Celebrating the unsung heroes of film by highlighting the exceptional achievements and contributions of the visual effects community, the new event launches December 8.
With his innovative and compelling sci-fi action adventure now wowing cinema audiences, the director discusses his radical new approach to filmmaking and VFX in the just released featurette, ‘Advancing AI: Creating The Creator;’ Edwards’ film was made possible by recent technological advances and a collaboration with James Knight, AMD’s Global Director of Media & Entertainment and VFX, who kept the filmmaker abreast of the rapidly changing AI landscape from script to final press junket.
Running October 27-29, the 3-day event celebrates artists and creators behind acclaimed films, animation, games, TV shows, comics, and illustrations and features panels, talks, and presentations by industry leaders, including director Sam Fell, Aardman Animation co-founder Peter Lord, directors Nick Bruno and Troy Quane, and NYT Bestselling Graphic Novel author ND Stevenson.
The gripping sci-fi adventure about a future war between humans and AI, starring John David Washington (‘Tenet’), Gemma Chan (‘Eternals’), and Ken Watanabe (‘Inception’), hits theaters September 29; VFX studios include Clear Angle Studios, Crafty Apes, Fin Design + Effects, Folks VFX, Frontier VFX, ILM, Jellyfish Pictures, MARZ, Misc Studios, Outpost VFX, Supreme Studio, and VFX Los Angeles.
Tom Hiddleston, Sophia Di Martino, Ke Huy Quan and executive producer Kevin R. Wright look ahead to what it means to be Loki; new season set to debut October 5; VFX studios include Cantina Creative, ILM, Rising Sun Pictures, and Trixter.
Arthur Curry and Orm flaunt the bromance of the year in the ‘Aquaman’ sequel as the duo team to save Atlantis from the dastardly Black Manta, hitting theaters December 20.
