VFX supervisor Sue Land discusses how the studio reimagined the legendary story, based on Bernard Cornwell’s ‘The Warlord Chronicles,’ aligning fantastical elements with plausible 6th century realism to visualize Sub-Roman Britain on the 10-episode MGM+ and ITVX fictionalized historical series.
The visual effects studio helps realize the director’s unique vision, including the film’s climax featuring racing driver De-Portago's famous crash; the team tracked and mapped the CG Ferrari to the practical crash, dramatically launching it into the packed racetrack crowd, populated by digi-doubles.
The latest crop of shorts in Dave Hughes’ innovative incubator of new talent and new ideas includes four episodes of Joe Cappa’s ‘HAHA You Clowns,’ Chloe Trost’s 2-part ‘Dohls,’ and Maggie Brennan’s ‘Agoraphilia.’
The VFX studio contributed 1,800 shots for Netflix India’s ‘Rana Naidu’ series, based on the popular American Showtime drama series; work included action clean-ups, greenscreen sequences, and CG elements such as the creation of a realistic snake that appears during a drug-induced hallucination.
Production Visual Effects Supervisor Frank Petzold talks about using in-camera effects wherever possible, eschewing loud and flashy CG sequences for more precise, realistic action centered around what’s captured on set, in Edward Berger’s harrowing and haunting Oscar-nominated war saga, now in theaters and streaming on Netflix.
CG supervisor Bryant Reif and his team created ‘The Shortcut,’ an entirely CGI transatlantic ocean liner modeled after the Queen Mary, along with digital people, oceans, docks, wakes and waves, for Season 2 of the series, now streaming on Disney+.
Working with DNEG and Distillery VFX, visual effects supervisor Brian Connor delivered almost 700 shots depicting intense aerial combat and a defining set of crash sequences in J.D. Dillard’s epic drama, based on the lives of U.S. Navy officers Jesse Brown and Tom Hudner.
Leading visual effects studio's veteran ‘The Mandalorian’ and ‘The Book of Boba Fett’ VFX team delivers 364 shots across the Disney+ Original ‘Star Wars’ series, ranging from the creation of full CG builds for ship landing shots to an epic Kenobi lightsaber battle against the Empire.
Poseidon is summoned from his hyper-realistic CG underwater kingdom to confront an unassuming man taking a shower who appears to have mastery over water in a manner reserved only for the gods.
Renee Zhan creates a gory, gooey, tasty CG spot with realistic stop-motion textures in a terrifying factory setting that doesn’t seem to faze the colorful, happy, edible worms.
The animation studio teamed up with agency Hill Holliday and The Ad Council to create a PSA raising awareness of the importance of cancer screening; the short employs a visual style based on 3D/CG with a 2D-like finish, suggesting a mixed-media hand-painted feel.
Studio was the sole visual effects vendor on the Warner Bros. feature - about Great Britain’s successful deception operation prior to the 1943 Allied invasion of Sicily - providing key CG ships and vehicles, wartime London environments, and troops storming into battle.
Innovative visual effects add drama and authenticity to John Madden’s WWII thriller; historically accurate shots using countless matte paintings and a fully CG sub recreate a 1943 backdrop; starring Colin Firth, Kelly MacDonald, Matthew MacFadyen and Penelope, the film hits theaters May 6.
The New York-based VFX studio produced matte paintings, smoke and fog, and other digital elements to give Joel Coen’s new film its stark, minimalist look and feel.
The Oscar-winning VFX studio creates a hostile planet, battling robots, and a lost civilization for Netflix’s hit sci-fi series about the inter-galactic adventures of the Robinson family… that’s always in danger!
For the VFX supervisor and Alpha Studios founder, the need to ‘be so good they can’t ignore you’ has fueled her drive to succeed as a woman, Chinese immigrant, and wheelchair user, and advocate for others in an industry short on representation of those with visible, or non-visible, disabilities.
The VFX studio delivers 237 shots, including the adorable, faceless, and furry four-winged Dijiang sidekick, in Marvel Studios’ first Asian super hero film.
VFX house tackles complex mix of shots to create feats of digital sorcery for the Disney+ supernatural anthology, inspired by R.L. Stine’s graphic novels, now streaming.
VFX supervisor Nico Del Giudice walks through the studio’s background replacements and greening, as well as surgical gore replacement work, on the Peacock crime drama, based on the podcast of the same name, inspired by the true story of Dr. Christopher Duntsch and his reign of deadly surgical malpractice.
The veteran VFX editor and supervisor talks about his two latest projects, Ethan Hawke’s Civil War-era period Showtime series, and a fully animated feature inspired by ‘Love, Death & Robots.’
UK visual effects studio tackles a choreographed radium dance, WWI battlefield, Hiroshima bombing, and Chernobyl disaster in Marjane Satrapi’s captivating biographical drama.
Led by VFX supervisor Mitch Drain, the studio delivered a wide variety of visual effects shots across six episodes, including a crazy, shapeshifting creature inspired by Google DeepDream.
Led by VFX supervisors Johnny Gibson and Edward Hawkins, the studio provided a bucket-full of digital blood and gore, wounds, muzzle flashes, deadly arrows and a digital jet on the Jason Blum and Damon Lindelof produced action-thriller.
Studio produces all the visual effects on Blumhouse Productions new supernatural holiday horror film.
UK-based visual effects house tackles St. Peter’s Square, the Basilica and Michelangelo’s masterpiece, the Sistine Chapel ceiling.
