Industry leading market’s new, flexible format encourages attendee participation from anywhere; extensive program line-up includes pitches, on-line targeted meetings, and career recruitment; Annecy 2021 runs June 14-19.
Nine projects selected out of 75 submissions include a diverse group of films with varied themes; festival runs from June 14-19.
44 shorts, 47 graduate films, 26 TV films and 32 commissioned films will compete; the hybrid virtual/physical event is set for June 14-19, as festival organizers continue to weigh options for how best to provide a safe and enjoyable on-site experience.
Award-winning director discusses his latest film, an animated musical about a 14 century Japanese Sarugaku Noh performer, set for a 2021 release.
Bruno Coulais, Chris Buck, Ron Clements, John Musker, Nick Park and Eric Darnell join a host of industry leaders headlining online festival’s selection of WIP, PREVIEW and Making Of presentations, running June 15-30.
Running June 15-30, the online festival, digital market and business conference has released its list of WIP and ongoing review sessions for feature films, TV series, specials, and XR projects.
Running June 15-30, the digital market and business conference will feature an extensive mix of pitch sessions, meetings, press conferences, and access to the latest animated projects.
Running June 15-30, the digital event will feature an extensive mix of animated film and project competitions, masterclasses, and related activities, along with extensive Mifa pitch, meeting, and expert presentation resources.
37 shorts, 44 graduate films, 21 TV films and 35 commissioned films will compete as festival moves online for June 15-20 digital event.
Festival unveils the official selection for its first VR competition, which includes Oscar-winning director John Kahr’s Oscar-nominated ‘Age of Sail.’
Festival unveils its official short film selection that includes Oscar-nominated Theodore Ushev’s latest film, ‘The Physics of Sorry’ and fellow nominee Konstantin Bronzit’s ‘He Can’t Live Without Cosmos.’
