In the eighth part of the production planning chapter from the book, Inspired 3D Short Film Production, Jeremy Cantor and Pepe Valencia discuss the importance of managing and organizing the digital assets for a production.
Janet Hetherington checks in with independent animators across Canada to find out whats hot and whats not on the Canadian animation scene.
Tara DiLullo discovers how Giant Killer Robots, Stan Winston Digital and Soho VFX pulled off the vfx wonders of Fantastic Four.
Bill Desowitz gets ILMs Dennis Muren, Pablo Helman and Randy Dutra to divulge some of their vfx secrets for Steven Spielbergs War of the Worlds.
Bill Desowitz gets ILMs Dennis Muren, Pablo Helman and Randy Dutra to divulge some of their vfx secrets for Steven Spielbergs War of the Worlds.
Isaac Kerlow explores what it means to be a vfx artist today and how students should prepare to be the vfx artists of tomorrow.
Ellen Wolff reports on the latest developments in Sony Pictures Imageworks innovative new faculty-based training program called IPAX.
Alain Bielik uncovers the digital challenges in conveying the various personalities exhibited by Herbie, the lovable VW bug, in the latest sequel.
Alain Bielik talks with the visual effects wizards behind the magical transformation of Bewitched from the small screen to the silver screen.
Tara DiLullo sets out on an adventure to discover the details of director Robert Rodriquezs return to 3D and family fare with The Adventures of Shark Boy and Lava Girl in 3-D.
Karen Raugust looks at how Indian animation programs are teaming up with studios and software providers to expand the countrys workforce as its 3D industry grows.
VFXWorld polled its readers to see how they are training for their careers and getting jobs. Rick DeMott reports back with the findings and highlights.
Craig Zerouni looks at the state of CG and wonders if weve reached the end of significant technological breakthroughs in the medium.
Dariush Derakhshani talks with recruiters and other industry insiders about hiring trends to help you ride a new career wave.
Comic pro Danny Fingeroth talks with Double Negatives visual effects supervisor Paul Franklin about bringing Batman Begins to the big screen.
Comic pro Danny Fingeroth explores how director Christopher Nolan and the vfx teams have embraced a back to basics approach on Batman Begins.
In the seventh part of the production planning chapter from the book, Inspired 3D Short Film Production, Jeremy Cantor and Pepe Valencia go deeper into scheduling and charting your CG short.
Tara DiLullo sets out on an adventure to discover the details of director Robert Rodriquezs return to 3D and family fare with The Adventures of Shark Boy and Lava Girl in 3-D.
In the sixth part of the production planning chapter from the book, Inspired 3D Short Film Production, Jeremy Cantor and Pepe Valencia discuss more helpful tips in creating a successful CG short.
Bruce Shutan looks at how Gray Matter FX relies on the art of subtlety to bring Lords of Dogtown to life.
Ryan Lesser reveals how 3ds Max 7.5 packs a pretty mean punch with its new hair and fur system.
In honor of the last Star Wars movie, Episode III Revenge of the Sith, VFXWorld concludes its three-part series with an in-depth look at the making of the newest villain, the CG General Grievous.
This month's Digital Eye has Peter Plantec giving the down low info on the big visual effects to come in 2005.
Rick DeMott investigates the world of low budget genre films and discovers that visual effects are making it easier and cheaper to do independent productions.
In honor of the last Star Wars movie, Episode III Revenge of the Sith, VFXWorld continues its three-part series with an in-depth look at ILMs ramping up of digital environments.
