The latest version of Red Giant’s powerhouse audio syncing suite includes lightning-fast speed improvements and an expanded list of supported media types, plus faster and more accurate syncing for the most comprehensive package yet.
eyeon Software announces the much-anticipated update of their compositing engine Fusion 7, underscoring once again eyeon’s signature future-proofing architecture.
Autodesk is now accepting nominations for its 2014 Flame Award, celebrating the achievements of the most talented and skilled Flame artists in the world.
DreamWorks Animation to present a behind-the-scenes discussion on ‘How to Train Your Dragon 2’ at SIGGRAPH 2014 with writer/director Dean DeBlois, head of layout Gil Zimmerman, head of character animation Simon Otto and VFX supervisor Dave Walvoord.
Technicolor strikes a deal for an undisclosed amount to acquire Toronto-based visual effects studio Mr. X.
MPC Vancouver’s visual effects supervisor Seth Maury discusses the creation of an anti-heroine’s magical world.
VFX studio recreates the Pentagon Kitchen in ultra-slow motion for the mutant Quicksilver.
Conceptual design company Leviathan creates a mesmerizing main title sequence for the new original series, ‘Power,’ from Starz.
Winners of the 2014 Autodesk sponsored CG Student Awards are announced, with Gnomon School of VFX named School of the Year.
VFX studio recreates the Pentagon Kitchen in ultra-slow motion for the mutant Quicksilver.
Working under Creative Director/VFX Supervisor John Bair, New York-based Phosphene completes effects work and adapts the 20th Century Fox logo for ‘The Fault in Our Stars,’ starring Shailene Woodley, Ansel Elgort, Laura Dern, Sam Trammell, Nat Wolff, and Willem Dafoe.
Creative Director/Partner Gary Nueman launches creative content and production company Engine Virtual Film Company.
Transaction to drive creation of 3D game engine for game developers, architects, engineers and designers.
Young women prove their might at the North American box office, delivering a $48.2 million opening for YA romance ‘The Fault in Our Stars’ and beating out Disney’s ‘Maleficent’ and Tom Cruise’s ‘Edge of Tomorrow.’
50 free high-res, PBR base materials will ship with Substance Designer; a direct link to GameTextures.com will allow for access to hundreds more.
New board member to help accelerate the growth of the design business.
London-based visual effects house completes effects for major action sequence in the latest Tom Cruise sci-fi action thriller, ‘Edge of Tomorrow.’
3D conversion company Venture 3D employs Cospective’s remote review and approval tool cineSync Pro for its stereoscopic conversion pipeline.
Digital workflow management tool saves production time and money, affording complete control over digital assets.
The VFX supervisor discusses how MPC helped director Gareth Edwards bring the iconic monster to the big screen.
Bill Condon, best known for his hit feature adaptation of the musical ‘Dreamgirls,’ is set to direct a live-action version of ‘Beauty and the Beast’ for Disney.
Warner Bros. delays the Andy and Lana Wachowski movie ‘Jupiter Ascending’ from July 18 to February 6, 2015.
DNA directing team Big TV and production company Black Label deliver a breathtaking new music video for David Gray’s new single, “Back in the World.”
DaVinci Resolve is used by EC3 dailies colorist Adrian DeLude for near-set dailies grading on the Twentieth Century Fox blockbuster ‘X-Men: Days of Future Past.’
‘Sinister’ filmmaker Scott Derrickson is hired to direct Marvel’s forthcoming ‘Doctor Strange.’
