Tagged With: Glassworks
Access: VFX Launches European Chapter
Netflix joins The Foundry to support new chapter helmed by Glassworks’ Chris Kiser; studio coalition aims to promote diversity within the VFX industry.
Glassworks Promotes Amsterdam-Based Leadership
Belén Palos is named head of production and Chris Kiser is named COO; Kiser will remain active in creative efforts while mapping out the strategic growth opportunities for the studio.
Delve Behind the Scenes of the Animated Sequences from ‘A Monster Calls’
Barcelona-based animation studio Glassworks teams with Headless Productions to deliver two animated tales for J. A. Bayona’s new film.
VFX Supervisor Duncan Horn Joins nineteentwenty
Former Glassworks veteran has contributed to countless projects such as the One Show award-winning ‘Parental Role Modelling’ TAC campaign and the captivating Philippe André-directed Lycra campaign.
Trunk Creates Appalachian Wonderland for Shirley Collins’ ‘Pretty Polly’
Trunk director Layla Atkinson employs rough cardboard and simple drawings inspired by American folk art combined with beautiful lighting to create the music video’s stop-motion aesthetic.
Carbon Launches Chicago Office
Bi-coastal creative studio Carbon opens in Chicago, serving the Midwest region with its high-end VFX, post-production, and full-fledged design studio
Glassworks Helps Nike Launch a Legend
London-based visual effects studio creates a slick new video to promote Nike’s Legend 6 boxing boot, tapping Redshift’s GPU-accelerated renderer to deliver high-quality visuals on an efficient timeline.
Escape Studios Sets 2016 Dates for The VFX Festival
Now in its fourth year, The VFX Festival 2016 will be held February 23-25 at Cineworld at the O2 Centre in London.
Ringling Short, ‘None of That,’ Tops 2015 animago AWARD Winners
Glassworks Taps Redshift to Create Singing Babies for Cadbury
Multiple award-winning studio uses fully GPU-accelerated, biased renderer Redshift to help create Cadbury “Womb.”