Grant Sputore to Direct Legendary's Next ‘Monsterverse’ Film
The ‘I Am Mother’ helmer joins writer Dave Callaham on the upcoming franchise installment, set to continue the story of Godzilla, Kong, and the remaining pantheon of infamous Titans
The ‘I Am Mother’ helmer joins writer Dave Callaham on the upcoming franchise installment, set to continue the story of Godzilla, Kong, and the remaining pantheon of infamous Titans
VFX Producer Kevin Sherwood and Animation Supervisor Ludovic Chailloleau talk Shimo, Skar King, One-Eye, Suko, and the myriad environments of Hollow Earth created for the latest Warner Bros./Legendary Monsterverse outing.
What on Earth… or Hollow Earth could scare Kong and Godzilla? Something epically colossal and massive and epic that’s happening underground, that’s what! The newest Monsterverse installment stomps into theaters and IMAX on March 29.
As the extremely active seismograph warns, something epically colossal and massive and epic is happening underground, as ‘Godzilla Vs. Kong’ director Adam Wingard returns to helm the upcoming Monsterverse installment, stomping into theaters April 12, 2024.
Starring Kurt Russell, Wyatt Russell, and Anna Sawai, the upcoming live-action sci-fi series, based on Legendary’s ‘Monsterverse,’ pits the famed Gojira and Titans in all-new clashes, coming soon to the streamer.
‘Godzilla Vs. Kong’ director Adam Wingard helms the newest installment in the Monsterverse, with a script by Terry Rossio and Jeremy Slater from a story by Simon Barrett, stomping into theaters March 15, 2024.
A new live-action series featuring the famous ‘king of the apes’ is in early production with ‘Paper Girls’ creator Stephany Folsom set as writer and executive producer.
The second half of Denis Villeneuve’s hit two-part sci-fi saga will now arrive a month later than expected, while Adam Wingard’s ‘Godzilla vs. Kong’ follow-up finally gets a theatrical release date.
The anime series, coming to Netflix, follows shipwrecked characters desperate to escape the most dangerous place on Earth.
The actor will join director Wingard for the first time since their acclaimed work on ‘The Guest’ to write the next chapter in Legendary’s Monsterverse.
In the freshly ordered kaiju show, humans will come to grips with the reality that monsters exist and uncover the secrets of the shadowy organization known as Monarch.
Weta Digital animates key emotional sequences that capture the battling primate’s older, wiser, and more humanoid side; studio also delivers 13 hero environments including Hollow Earth and a military base in Antarctica.
MARZ VFX supervisor Ryan Freer will share the often-invisible VFX on Marvel’s first Disney+ series; three presentations will peek behind the curtain surrounding the year’s first blockbuster VFX-driven tentpole to see monster making up close and personal.
The titanic smash-em-up demolished previous COVID-19 era U.S. theatrical box office takes with $9.6 million debut and $48.5 million 5-day opening weekend, that coupled with $236.9 million international cume, indicates movie theaters may not be dead…yet.
The ‘Godzilla vs. Kong’ director will pen the script alongside Simon Barrett, assuring audiences the film will not follow in the ill-fated footsteps of ‘Cats.’
Adding to their extensive slate of previously announced anime projects, Netflix has greenlit two new series, from Legendary Television, based on hugely popular film and game franchises.
Next chapter of the epic franchise now hitting theaters and HBO Max on March 31; directed by Adam Wingard, the sci-fi adventure stars Alexander Skarsgård, Millie Bobby Brown, and Rebecca Hall.
Warner Bros. Pictures Group announces new hybrid distribution model for next year’s feature film slate in a nod to the realities and impact on theatrical releases of the ongoing global pandemic.
Long-time VFX supervisors join studio’s Los Angeles and Vancouver offices, respectively; company bolsters team to deliver upcoming projects including ‘Eternals;’ ‘The Suicide Squad;’ ‘The Batman;’ ‘Lisey’s Story;’ ‘Fengshen Trilogy;’ ‘The Jade Earring;’ and ‘The Nevers.’