MPC's Guillaume Rocheron Talks ‘Godzilla’
The VFX supervisor discusses how MPC helped director Gareth Edwards bring the iconic monster to the big screen.
Tagged With: CGI
Supervising the Sentinels
MPC Montreal’s Benoit Dubuc recalls the creation of the X-Men’s greatest foes
Richard Stammers Talks ‘X-Men: Days of Future Past’
MPC’s visual effects supervisor discusses the challenges of bringing Bryan Singer’s critically acclaimed film to the screen.
Patrick Smith Talks ‘The Amazing Spider-Man 2’ Previs
The Third Floor’s previs supervisor discusses the extensive use of previs, techvis and postvis on Sony’s latest superhero hit.
Dan Schrecker Talks ‘Noah’
LOOK Effects’ visual effects supervisor discusses feather systems, a pulsating apple and the Garden of Eden in Darren Aronofsky’s latest film.
Gallery: Legends of Oz: Dorothy’s Return
The wonderful world of Oz makes its way back to the big screen in the form of a family-friendly, CG animated musical. Check out production images from the film. All images courtesy of Summertime Entertainment.
The Long Yellow Brick Road to Theatres
Producer Bonne Radford explains the genesis behind Dorothy’s Return to Oz.
Jerome Chen Talks ‘The Amazing Spider-Man 2’
The veteran Imageworks visual effects supervisor walks us through the production of Sony’s highly anticipated second Spider-Man offering.
Gallery: Rio 2
Carlos Saldanha is again at the helm in the sequel to Blue Sky Studio's 2011 hit, Rio. Check out our set of production stills. All images TM and © 2013 Twentieth Century Fox Film Corporation.
Carlos Saldanha Talks ‘Rio 2’
Blue Sky and Blue Macaws are back in this expansive and energetic sequel.
Jason Schleifer Talks ‘Mr. Peabody & Sherman’
The PDI/DreamWorks head of character animation helps bring one of animation’s classic duos to the big screen.
ILM Concept Art, Progressions and Final Shots from 'Captain America: The Winter Soldier'
ILM rebuilt the helicarrier for the latest Marvel blockbuster and it's the company's biggest model in history. Here's a sample of some of the stunning concept art, vfx progressions and final shots. All images © 2014 Marvel.
ILM Gets Out the Big Guns for 'Captain America: The Winter Soldier'
ILM rebuilds the helicarrier for the latest Marvel blockbuster and it's the company's biggest model in history.
Weta’s Guy Williams Talks ‘Iron Man 3’ and the Coming Age of HFR
The veteran Oscar-nominated VFX supervisor discusses Marvel’s latest Iron Man saga as well as the future of high frame rate filmmaking.
Rodeo FX Enhances Villeneuve’s ‘Enemy’
Digital compositing supervisor Patrick David talks spiders and multiple Gyllenhaals.
Gabriel Sanchez Talks ‘Grand Budapest Hotel’
The LOOK Effects vfx supervisor discusses integrating miniatures, stop-motion, live action and more on Wes Anderson’s new film.
Animation and VFX Spring 2014 Movie Preview
Time-traveling mutants, rare blue macaws, a webbed crusader, morphing metal robots and the Mistress of All Evil are just a few of the animated characters coming to theatres this Spring.
Chris Sanders and Kirk DeMicco Talk ‘The Croods’
The co-directors of DreamWorks’ Oscar-nominated feature discuss the family dynamic at the heart of their story.
Laurent Witz Shares the Mechanics of ‘Mr. Hublot’
A visually intriguing re-exploration of "dog as man’s best friend" set in a surreal industrial world.
Shuhei Morita talks ‘Possessions’
A weary traveler finds shelter in a shrine for old tools, appeasing angry spirits with his expert repairs.
Max Lang and Jan Lachauer Talk ‘Room on the Broom’
A witch, a cat and a host of new friends learn to share in this gentle and engaging animated Christmas special.
Book Review - 'The CG Story: Computer-Generated Animation and Special Effects'
Fred Patten likes what he sees in an impressive new book chronicling the history of CGI in film.
Catching a More Intense 'Hunger Games' in 'Catching Fire'
The sequel finds Katniss back in the hunt for survival with more grounded VFX.
Perry’s Previews Movie Review: 'Frozen'
Almost every Disney movie about princesses is about white European princesses with perfect faces and “ideal” hour-glass figures.
Mill+ Creates Stunning Cinematics for Call of Duty: Ghosts
Creative studio Mill+, the concept, design and animation arm of VFX company The Mill, contributes its visually stunning cinematics to Activision’s blockbuster Call of Duty: Ghosts, the new installment in the global phenomenon Call of Duty series.
