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Framestore VFX supervisor Christian Kaestner oversees more than 130 awe-inspiring shots for the first film in the Marvel Cinematic Universe to feature a female superhero lead.
Adelaide, South Australia-based studio delivers hundreds of complex VFX shots for the latest addition to the Marvel Cinematic Universe.
‘Black Panther’ to vie for top producer award; ‘Dr. Seuss’ The Grinch,’ ‘Incredibles 2,’ ‘Isle of Dogs,’ ‘Ralph Breaks the Internet’ and ‘Spider-Man: Into the Spider-Verse’ to contend in animated feature category.
VFX supervisors Dan DeLeeuw and Kelly Port discuss the challenges of capturing the nuanced performance of Josh Brolin as the philosophical antagonist in ‘Avengers: Infinity War.’
A creative dynamo moves on to the next big thing.
Prolific writer, editor and publisher co-created many of the industry’s most iconic characters, including Spider-Man, Iron-Man, the Hulk and Black Panther.
Marvel Studio president to be honored at 30th Annual Producers Guild Awards on Saturday, January 19, 2019.
Acclaimed actor, producer and director will executive produce and write the untitled series for Disney’s new direct-to-consumer platform.
Production VFX Supervisor Geoff Baumann assembled and managed the movie’s heavy-hitter vendor lineup to complete more than 2,000 visual effects shots for Marvel’s most recent hit.
Studio also reveals light-hearted poster for sequel to 2015 hit.
Blockbuster crossover event movie has been ten years in the making and features characters from all across the Marvel Cinematic Universe.
VFX supervisor Kevin Souls leads Los Angeles and Melbourne teams handling almost 500 key shots on the first ‘Spider-Man’ film within the Marvel Cinematic Universe.
Production VFX supervisor Christopher Townsend integrates the work of artists from around the world to wow audiences with Ego the Planet and other new digital characters in Marvel’s latest sci-fi action adventure hit.
The Weta Digital VFX supervisor discusses his work on director James Gunn’s latest MCU superhero franchise hit.
VFX supervisor Richard Bluff describes Industrial Light & Magic’s dazzling New York and Hong Kong sequence work in Marvel’s supernatural adventure hit.
The Third Floor’s previs and postvis supervisor Faraz Hameed describes the challenges of more than two years of work on Marvel’s hit supernatural superhero adventure.
Heading into Awards Season, the director of Disney’s 2016 photoreal live-action/CG hybrid action-adventure hit reflects on his initial skepticism and concerns adapting an animated feature film classic.
Co-writer Jon Spaihts discusses the new action-adventure hit film that delves into the supernatural side of the Marvel Cinematic Universe.
Disney and Marvel’s comic book adventure is their most thoughtful and satisfying film to date.
