Legendary Entertainment Announces ‘Pacific Rim’ Prequel Series
The project is part of a newly minted first-look television deal with Eric Heisserer, who is joined by Carmen Lewis under their Chronology banner.
The project is part of a newly minted first-look television deal with Eric Heisserer, who is joined by Carmen Lewis under their Chronology banner.
The VFX supervisor shares the digital magic that helped bring together two of the world’s most popular superheroes at Italy’s premier animation and visual effects event that runs October 14-19 in the beautiful baroque city of Turin.
Director Carlos Saldanha and VFX Producer Ken Wallace talk about coloring outside the lines to create Sony Pictures’ live-action/animated adaptation of Crockett Johnson’s famed kids’ book, now playing in theaters nationwide.
Visual Effects Supervisor Stephan Fleet oversaw the delivery of 1,600 shots on Prime Video’s Emmy Award winning series, including lots of exploding heads, flesh eating flying sheep, an amorous octopus, and a man, Splinter, whose superpower was to rip his body in two while generating new clones.
The action-adventure series, based on the popular Japanese game franchise from SEGA, streams October 24 worldwide on Prime Video.
Iconic villains aren’t born. They’re made… especially for film! Aaron Taylor-Johnson stars alongside Russell Crowe in the visceral origin story of the the world’s greatest, and most feared hunter… with a vendetta against Spider-Man. Film hits theaters December 13.
The show, which serves as prequel to the beloved Netflix series, will run at the Marquis Theatre in 2025 beginning March 28 ahead of opening night on April 22.
Award-winning VFX supervisor Richard Bluff talks about his work delivering more than 4,000 shots on the Disney+ Star Wars spinoff that has just been nominated for five Emmy Awards.
Industry veteran’s work in advertising and movies includes visual effects design, sequences, and creative solutions for screens of all sizes.
The series, which follows the infamous Agatha Harkness and a mysterious teen boy on a journey down the legendary Witches’ Road, hits Disney + September 18.
Marvel Studios Production VFX Supervisor Chris Townsend discusses 'time slipping' and the surprisingly small number of CG shots, and reliance on capturing shots in-camera, in the sophomore season of the hit Disney+ series, which scored a recent Emmy nomination for Outstanding Special Visual Effects In A Season Or A Movie.
The latest all-new ‘Star Wars’ series, which follows four kids who make a discovery on their home planet and get lost in a strange and dangerous galaxy, hits Disney+ December 3.
Exploring the unlikely rise of the legendary, beloved king of the Pride Lands, the film blends live-action filmmaking techniques with the latest photoreal CGI; coming to theaters December 20.
Mirror mirror on the wall… the live-action/3DCG hybrid musical reimagining of the classic 1937 film, which stars Rachel Zegler and Gal Gadot as Snow White and the Evil Queen, hits theaters March 21, 2025.
Sony Pictures Imageworks CTO Mike Ford and Head of Production Mandy Tankenson co-chair the 7th edition which returns to Hollywood November 6-9; the event celebrates the convergence of art, technology and entertainment.
Major upgrade to photoreal 3D scanning system expands cloud-based toolset with Featureless Object Scan 2.0 and Auto-Rigging, along with major UI enhancements that improve feature access and ease of use.
Krow VFX, Torpedo Pictures, and Tryptyc combine strengths and talent rosters to offer concept-to-post-production services with an emphasis on philanthropy.
The new performance capture tools use a webcam or smartphone for finger tracking, higher fidelity facial mocap, and new upper body modes that are compatible with company’s full body mocap product.
Members urged to attend ‘Stand with Animation’ rally August 10 and support The Animation Guild ahead of next week’s negotiations with Alliance of Motion Picture and Television Producers.
The show, titled ‘John Wick: Under the High Table,’ picks up after the events of ‘John Wick: Chapter 4’ and is currently being shopped to potential networks and streaming services.
CoreWeave’s Mac Moore shares how more cloud provider choices give studios leverage to negotiate better, more flexible deals that don’t penalize for multi-cloud usage and enable, not inhibit speed, flexibility, and efficiency.
After a unanimous vote in a National Labor Relations Board ballot count on Tuesday, both parties will be allowed a period of five business days to raise objections before the vote is certified.
At SIGGRAPH 2024, Clear Angle Studios, DI4D, and TexturingXYZ announced collaboration on new standard of performance-driven digital human faces; video offers a glimpse into the ‘future of interactive entertainment.’
Based on ‘The Empyrean’ novel series by Rebecca Yarros, the first installment follows Violet Sorrengail, an unassuming girl who is thrust into training as a dragon rider; Prime Video has not released plot or casting details.
Tech giant showcased new features that boost cloud-enabled workflows focusing on empowering teams and artists to work more efficiently; also teased, new AI capabilities coming to Maya and Flame following company’s acquisition of Wonder Dynamics.